Victor Seaward’s oeuvre touches on histories of medicine, trade and industrialisation through digitally rendered objects, weaving narratives through commonplace objects and organic forms. Seaward's work is rooted in materiality, technological manufacture, and the agency of objects. Mining a broad spectrum of material culture, Seaward juxtaposes utilitarian materials such as concrete and steel, with high-tech manufactured components and objects of historical significance, in order to investigate authorship, commodity and the fluid nature of time and permanence.
Solo exhibitions were held at Galería Mascota, Mexico City (2024); Workplace (duo), London (2023); Brooke Benington, London;
Zabludowicz Collection, London; Galerie Fabian Lang, Zurich (all 2022); Recent Activity, Birmingham; Rectory Projects, London; and Lily Brooke, London (all 2019). Selected group
exhibitions include The Shophouse, Hong Kong (2024); TUBE, Mallorca; GROVE, New York; White Cube, Paris (all 2023); Eve Leibe Gallery, London; The Sunday Painter, London (both
2022); Collective Ending, London; Arusha Gallery, London (both 2021); Saatchi Gallery, London; and Pierre Poumet, Bordeaux (both 2018), among others.
Solo exhibitions were held at Galería Mascota, Mexico City (2024); Workplace (duo), London (2023); Brooke Benington, London;
Zabludowicz Collection, London; Galerie Fabian Lang, Zurich (all 2022); Recent Activity, Birmingham; Rectory Projects, London; and Lily Brooke, London (all 2019). Selected group
exhibitions include The Shophouse, Hong Kong (2024); TUBE, Mallorca; GROVE, New York; White Cube, Paris (all 2023); Eve Leibe Gallery, London; The Sunday Painter, London (both
2022); Collective Ending, London; Arusha Gallery, London (both 2021); Saatchi Gallery, London; and Pierre Poumet, Bordeaux (both 2018), among others.