Linnea Skoglösa is a Swedish artist based in London, working across painting and sculpture. Her practice moves through emotional tension and power structures, shaped by consumer culture and personal memory, with a heightened focus on disembodiment. Skoglösa's practice employs everyday objects such as wellness products, industrial hardware and screens, deconstructing and re-contextualising them to create new orders. The artist is currently pursuing an MFA from the Royal Academy of Arts, London, and holds a BA from Slade School of Fine Art.
Works by Skoglösa have been exhibited at Shoreditch | Long stays, London (2025); Neven, London (2024); Gathering at Art Brussels (2024); Glasshouse at Gathering, London (2023); Studio Chapple; Soft Commodity (both London, 2023); Factory Lithium, Lisbon (2023); La Gaite Lyrique, Paris (2022); Barbican Church; Changing Room Gallery; Judd Street (all London, 2022); The Fitzrovia Gallery, London (2021); Neuroscience & Art x Mind Foundation, Berlin (2020); Cambridge University (2020); Alvaro Barrington’s studio; LUX, Waterlow Park Centre; Lethaby Gallery (all London, 2019); Emily Space; Clarence Road (both London, 2018) and Macao Art Centre, Milan (2018).
Website
Works by Skoglösa have been exhibited at Shoreditch | Long stays, London (2025); Neven, London (2024); Gathering at Art Brussels (2024); Glasshouse at Gathering, London (2023); Studio Chapple; Soft Commodity (both London, 2023); Factory Lithium, Lisbon (2023); La Gaite Lyrique, Paris (2022); Barbican Church; Changing Room Gallery; Judd Street (all London, 2022); The Fitzrovia Gallery, London (2021); Neuroscience & Art x Mind Foundation, Berlin (2020); Cambridge University (2020); Alvaro Barrington’s studio; LUX, Waterlow Park Centre; Lethaby Gallery (all London, 2019); Emily Space; Clarence Road (both London, 2018) and Macao Art Centre, Milan (2018).
Website
Sweet Rupture (2025), oil on canvas 230 x 180 cm, and Rupture and Bloom (2025), ducati left frame cover, tripod, aquarium, 143 x 20 x 48 cm. 
Violence in caring (2025), oil on canvas, 210 x 140 cm.
Decline FCN (2025), ducati supersport subframe, faux leather fabric, Apple Mac Pro, office noticeboard 165 x 67,5 x 120 cm.
Downward Facing Dog (2024), interceptor frame, waterproof car seat cover, swing arm rear, hair, aquarium, wooden frame.
Exercism (2024), marble, pilates reformer, hybrid travel pillow, ergonomic handles, steel, acrylic.
Sunscreen and Hy (installation view) at Glasshouse at Gathering, London.