Hannah Archambault’s installations investigate the elements lying with the invisible and the unsaid. Can sound be an ‘alluring revealer’? Intimacy, ambiguity and different systems of beliefs shape her practice. Archambault uses symbols, such as salt and hibiscus, as markers of our societies that carry personal and collective stories.
Composing environments that disturb our senses and spatial awareness, Archambault invites the viewer to trust and rely on the body's adaptation to the space. As a result, the installations build welcome both contemplation and reflection. Pursuing this quest where the personal is interwoven with the collective, her practice exists in the grey area where politics insidiously emerge from the intimate.
Composing environments that disturb our senses and spatial awareness, Archambault invites the viewer to trust and rely on the body's adaptation to the space. As a result, the installations build welcome both contemplation and reflection. Pursuing this quest where the personal is interwoven with the collective, her practice exists in the grey area where politics insidiously emerge from the intimate.
