Kollektiv Collective

<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:media="http://search.yahoo.com/mrss/"
	
	>

<channel>
	<title>Kollektiv Collective</title>
	<link>https://kollektivcollective.info</link>
	<description>Kollektiv Collective</description>
	<pubDate>Thu, 21 Aug 2025 10:03:28 +0000</pubDate>
	<generator>https://kollektivcollective.info</generator>
	<language>en</language>
	
		
	<item>
		<title>Homepage</title>
				
		<link>https://kollektivcollective.info/Homepage</link>

		<pubDate>Tue, 06 Jun 2023 19:20:34 +0000</pubDate>

		<dc:creator>Kollektiv Collective</dc:creator>

		<guid isPermaLink="true">https://kollektivcollective.info/Homepage</guid>

		<description>
	
	
</description>
		
	</item>
		
		
	<item>
		<title>Exhibitions</title>
				
		<link>https://kollektivcollective.info/Exhibitions-1</link>

		<pubDate>Tue, 06 Jun 2023 19:20:32 +0000</pubDate>

		<dc:creator>Kollektiv Collective</dc:creator>

		<guid isPermaLink="true">https://kollektivcollective.info/Exhibitions-1</guid>

		<description>UPCOMING
	If you have built castles in the air

31 July – 22 August 2026

Kunstraum KS Contemporary, Austria
	

	&#60;img width="2216" height="1470" width_o="2216" height_o="1470" data-src="https://freight.cargo.site/t/original/i/55e769d124200926a1db58bfeae48b4fbb754af4d25743ba241628882badb391/Screenshot-2026-05-27-at-14.35.26.png" data-mid="248809561" border="0"  src="https://freight.cargo.site/w/1000/i/55e769d124200926a1db58bfeae48b4fbb754af4d25743ba241628882badb391/Screenshot-2026-05-27-at-14.35.26.png" /&#62;PAST
	
	
	Vertigo (disambiguation)
27 March – 22 May 2026Galería Gato, Lima

	
	&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/eba90ff0a57c22b97a53c14a9862cfb72c3e733034e6488ecd9bd9a680d293f6/Vertigo_GTG_-0246.jpg" data-mid="246883674" border="0"  src="https://freight.cargo.site/w/1000/i/eba90ff0a57c22b97a53c14a9862cfb72c3e733034e6488ecd9bd9a680d293f6/Vertigo_GTG_-0246.jpg" /&#62;
	
	
	Positions in Contemporary Art: 
Europe Across Borders12 December 2025 – 11 February 2026Europe House, London


	&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/c052e4010ecd78244bd84304691bf8bc86f86d9a60b4df2f48191e19ec43e5c8/KK-25_1.jpg" data-mid="243545508" border="0"  src="https://freight.cargo.site/w/1000/i/c052e4010ecd78244bd84304691bf8bc86f86d9a60b4df2f48191e19ec43e5c8/KK-25_1.jpg" /&#62;
	
	
	Of course I know eternity: Wilhelm Traeger + Gray Wielebinski9 May – 18 July 2025Austrian Cultural Forum, London


	&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/3e9872670a208a54e4948464c1e4c8e60ef81dc84a1821d699702a6f1f797875/G_W_080525WEBRES_36.jpg" data-mid="232994772" border="0"  src="https://freight.cargo.site/w/1000/i/3e9872670a208a54e4948464c1e4c8e60ef81dc84a1821d699702a6f1f797875/G_W_080525WEBRES_36.jpg" /&#62;
	Tired of Being Tired (?)23 May – 5 July 2025Santi Gallery, London


	&#60;img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/e5dd6b264c3c2dea57fb68da2f6bacedcdf29c988d2322715f9b0d0283719826/IMG_9858.JPG" data-mid="233612453" border="0"  src="https://freight.cargo.site/w/1000/i/e5dd6b264c3c2dea57fb68da2f6bacedcdf29c988d2322715f9b0d0283719826/IMG_9858.JPG" /&#62;
	Fa Razavi: Opera Rose28 March – 3 May 2025Palo Gallery, New York City
	

	&#60;img width="3000" height="2250" width_o="3000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/1247b18eeb0a690f08f9a61fd0f1c122e216978fa001ab507bab70e1d92c6ad6/PG-040125-002.jpg" data-mid="232764157" border="0"  src="https://freight.cargo.site/w/1000/i/1247b18eeb0a690f08f9a61fd0f1c122e216978fa001ab507bab70e1d92c6ad6/PG-040125-002.jpg" /&#62;
	

	nothing concrete5 – 26 October 2024Inspection Pit, West Sussex
	

	&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/4d2c8d309134d3a5e5fc4be3dc839b36c260149581ef19aa48ab5ad5d14622c6/Ali-Glover-installation-53-.jpg" data-mid="219779070" border="0"  src="https://freight.cargo.site/w/1000/i/4d2c8d309134d3a5e5fc4be3dc839b36c260149581ef19aa48ab5ad5d14622c6/Ali-Glover-installation-53-.jpg" /&#62;

	
IceBlink Luck
14 – 22 September 2024
London Design Festival 
Generation &#38;amp; Display, London


	&#60;img width="9227" height="6151" width_o="9227" height_o="6151" data-src="https://freight.cargo.site/t/original/i/a10a575e7d29b5dcc0a58715b3c764b70213be7dcb0b6c769027ff44cc6e2a9e/IceBlinkLuck-G-D-highres4.jpg" data-mid="219780955" border="0"  src="https://freight.cargo.site/w/1000/i/a10a575e7d29b5dcc0a58715b3c764b70213be7dcb0b6c769027ff44cc6e2a9e/IceBlinkLuck-G-D-highres4.jpg" /&#62;
	

Obsidian Upset

25 July – 16 August 2024

Des Bains, London
	

&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/2a0c8b8483e05673c6e449d2583c118cbd299926ed22c7cea055b5edd5a6a37b/DES-BAINS_01.0_3000px.jpg" data-mid="219779144" border="0"  src="https://freight.cargo.site/w/1000/i/2a0c8b8483e05673c6e449d2583c118cbd299926ed22c7cea055b5edd5a6a37b/DES-BAINS_01.0_3000px.jpg" /&#62;
	

Great Expectations
15 March – 03 April 2024


General Assembly, London 


	&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/f8e673add4d4839228bd403c56dd676abd99d8fb19c6d6e31a7c8e65c30051ac/Installation-shot_-Great-Expectations-at-General-Assembly-curated-by-Kollektiv-Collective-15-March--03-April-2024.-Image-courtesy-of-General-Assembly.-Photography-by-Jess-Hall-4.jpeg" data-mid="219779397" border="0"  src="https://freight.cargo.site/w/1000/i/f8e673add4d4839228bd403c56dd676abd99d8fb19c6d6e31a7c8e65c30051ac/Installation-shot_-Great-Expectations-at-General-Assembly-curated-by-Kollektiv-Collective-15-March--03-April-2024.-Image-courtesy-of-General-Assembly.-Photography-by-Jess-Hall-4.jpeg" /&#62;
	

things fall apart; 
the centre cannot hold


30 November 2023 
– 26 January 2024
 Tabula Rasa Gallery, London


	&#60;img width="2000" height="1337" width_o="2000" height_o="1337" data-src="https://freight.cargo.site/t/original/i/3ed058c4e0de93992ac93fa2648e0ac88f8ced2a6baf1b035ff794b5d343e3c0/Screenshot-2023-12-03-at-16.32.29-3.png" data-mid="219779411" border="0"  src="https://freight.cargo.site/w/1000/i/3ed058c4e0de93992ac93fa2648e0ac88f8ced2a6baf1b035ff794b5d343e3c0/Screenshot-2023-12-03-at-16.32.29-3.png" /&#62;
	

on the flip side was 
9 June –&#38;nbsp; 7 July 2023 
Guts Projects, London


	&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/a63eea070b403c792b73006ddb3c334b64d5619e69baad20a632b9f7c14e09d0/on-the-flip-side-was-install-4.jpg" data-mid="219781203" border="0"  src="https://freight.cargo.site/w/1000/i/a63eea070b403c792b73006ddb3c334b64d5619e69baad20a632b9f7c14e09d0/on-the-flip-side-was-install-4.jpg" /&#62; 
	

Interlude 
30 March – 7 April 2023 

Kupfer, London


	&#60;img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/79a896655da04feccb3f8f050c2c0c99c7ed4219e7dde0cd01efbbbf9eda6852/_DSC9524LR-1.jpg" data-mid="219779515" border="0"  src="https://freight.cargo.site/w/1000/i/79a896655da04feccb3f8f050c2c0c99c7ed4219e7dde0cd01efbbbf9eda6852/_DSC9524LR-1.jpg" /&#62;
	

un/sense 
20 – 29 July 2022

Christie’s, London


	&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/2afe30a2a0069313cabd46c604d81a374bdd69501f8c27a37d4161d222fdd588/3W4A5514_med-res-1.jpg" data-mid="219779572" border="0"  src="https://freight.cargo.site/w/1000/i/2afe30a2a0069313cabd46c604d81a374bdd69501f8c27a37d4161d222fdd588/3W4A5514_med-res-1.jpg" /&#62;
	
I knock on your skin 
24 March – 14 April 2022
SET Woolwich, London


	&#60;img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/573dd00f6c621faf77c8ea74ed783de578bbd55de6aca446a52993f15aec31c5/_DSC7252.jpg" data-mid="219779615" border="0"  src="https://freight.cargo.site/w/1000/i/573dd00f6c621faf77c8ea74ed783de578bbd55de6aca446a52993f15aec31c5/_DSC7252.jpg" /&#62;
	

In Nihilum 
2 – 8 March 2020 
Swiss Church, London


	&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/cc8fc19c2ffa07fa81b0f68da03e8663c71763f74bd178a41a1eecb4c83098f4/14.jpg" data-mid="219779677" border="0"  src="https://freight.cargo.site/w/1000/i/cc8fc19c2ffa07fa81b0f68da03e8663c71763f74bd178a41a1eecb4c83098f4/14.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Artists</title>
				
		<link>https://kollektivcollective.info/Artists</link>

		<pubDate>Tue, 15 Oct 2024 15:26:57 +0000</pubDate>

		<dc:creator>Kollektiv Collective</dc:creator>

		<guid isPermaLink="true">https://kollektivcollective.info/Artists</guid>

		<description>
	
&#60;img width="2474" height="1440" width_o="2474" height_o="1440" data-src="https://freight.cargo.site/t/original/i/1e9f20fa30233bb23082edbe836c74a6f214db34f9796007fa2707f40a5ecb52/Screenshot-2024-10-16-at-10.59.07.png" data-mid="219886652" border="0"  src="https://freight.cargo.site/w/1000/i/1e9f20fa30233bb23082edbe836c74a6f214db34f9796007fa2707f40a5ecb52/Screenshot-2024-10-16-at-10.59.07.png" /&#62;
&#60;img width="1685" height="1571" width_o="1685" height_o="1571" data-src="https://freight.cargo.site/t/original/i/d5244737e4e75dabd6f8b013d74be958f0ac8f1ded4a9f353e78b87c3dc5d2db/DegreeShowJuan-TIFF-5.jpeg" data-mid="241685096" border="0"  src="https://freight.cargo.site/w/1000/i/d5244737e4e75dabd6f8b013d74be958f0ac8f1ded4a9f353e78b87c3dc5d2db/DegreeShowJuan-TIFF-5.jpeg" /&#62;
&#60;img width="545" height="725" width_o="545" height_o="725" data-src="https://freight.cargo.site/t/original/i/c880f2d81dfa499e5597f7689fe425085421f2d0fee621248832fbc6a9495534/tayoadekunle-lady-1840-1.jpg" data-mid="219849267" border="0"  src="https://freight.cargo.site/w/545/i/c880f2d81dfa499e5597f7689fe425085421f2d0fee621248832fbc6a9495534/tayoadekunle-lady-1840-1.jpg" /&#62;
&#60;img width="400" height="292" width_o="400" height_o="292" data-src="https://freight.cargo.site/t/original/i/3e1fe0ab90dca683398dd5bd6621a05ed020525cffd7b1eae2f95333dcf190e4/The-Postcolonial-Forest_still002.png" data-mid="219786154" border="0"  src="https://freight.cargo.site/w/400/i/3e1fe0ab90dca683398dd5bd6621a05ed020525cffd7b1eae2f95333dcf190e4/The-Postcolonial-Forest_still002.png" /&#62;
&#60;img width="1104" height="1460" width_o="1104" height_o="1460" data-src="https://freight.cargo.site/t/original/i/9b905915b064b7f8e8e3c140fa58c8d47e250963190b08391bec345ab502211a/Screenshot-2024-10-16-at-09.04.47.png" data-mid="219849287" border="0"  src="https://freight.cargo.site/w/1000/i/9b905915b064b7f8e8e3c140fa58c8d47e250963190b08391bec345ab502211a/Screenshot-2024-10-16-at-09.04.47.png" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/2c0b8d40e800a72dd1e1138213ddffeb0676fb3d815f947eafe1527d59d7e720/053_Lamb_T4A5708-Edit_LOW_RES.jpg" data-mid="219786196" border="0"  src="https://freight.cargo.site/w/1000/i/2c0b8d40e800a72dd1e1138213ddffeb0676fb3d815f947eafe1527d59d7e720/053_Lamb_T4A5708-Edit_LOW_RES.jpg" /&#62;
&#60;img width="7000" height="4672" width_o="7000" height_o="4672" data-src="https://freight.cargo.site/t/original/i/aff9ff9784476da953eafc1b8554da74130ae3e80a4f8c373a8399ebf9cfa5bf/L_C_001.jpg" data-mid="219786179" border="0"  src="https://freight.cargo.site/w/1000/i/aff9ff9784476da953eafc1b8554da74130ae3e80a4f8c373a8399ebf9cfa5bf/L_C_001.jpg" /&#62;
&#60;img width="720" height="720" width_o="720" height_o="720" data-src="https://freight.cargo.site/t/original/i/4a82b248c8810ef3dcb4a247c18596b7a67c22181a5c6c1f10f6b72577eafa56/1ad3c885435c4ebbebce905af3c7b30a.jpg" data-mid="219786158" border="0"  src="https://freight.cargo.site/w/720/i/4a82b248c8810ef3dcb4a247c18596b7a67c22181a5c6c1f10f6b72577eafa56/1ad3c885435c4ebbebce905af3c7b30a.jpg" /&#62;
&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/0488e300e8dfe4de739184c51e422a2f475a468bfba8c2c5be8e8b16ee462046/shayna-fonseka-MFA-2025-02.jpg" data-mid="241685124" border="0"  src="https://freight.cargo.site/w/1000/i/0488e300e8dfe4de739184c51e422a2f475a468bfba8c2c5be8e8b16ee462046/shayna-fonseka-MFA-2025-02.jpg" /&#62;
&#60;img width="1237" height="1009" width_o="1237" height_o="1009" data-src="https://freight.cargo.site/t/original/i/bbd1b496a559f9b09370c0da257655341dfc473afa555035d3ab10b28d37b0b0/8064A317-9E48-412B-90D2-4ED1558FB140.jpeg" data-mid="219786269" border="0"  src="https://freight.cargo.site/w/1000/i/bbd1b496a559f9b09370c0da257655341dfc473afa555035d3ab10b28d37b0b0/8064A317-9E48-412B-90D2-4ED1558FB140.jpeg" /&#62;
&#60;img width="1808" height="1216" width_o="1808" height_o="1216" data-src="https://freight.cargo.site/t/original/i/164fb70830c765382c3f27f7581893b0a8825fcb7a058516b9903d034a5c59f6/Screenshot-2023-06-21-at-20.47.31.png" data-mid="219786263" border="0"  src="https://freight.cargo.site/w/1000/i/164fb70830c765382c3f27f7581893b0a8825fcb7a058516b9903d034a5c59f6/Screenshot-2023-06-21-at-20.47.31.png" /&#62;
&#60;img width="690" height="468" width_o="690" height_o="468" data-src="https://freight.cargo.site/t/original/i/8c2eb35588c5c0b5f608753e1867302de276e4fa2f8086519356cd3846a94d7d/1-Federica-Francesconi--untitled--mixed-media-on-canvas--100x140-cm-1.jpeg" data-mid="246096004" border="0"  src="https://freight.cargo.site/w/690/i/8c2eb35588c5c0b5f608753e1867302de276e4fa2f8086519356cd3846a94d7d/1-Federica-Francesconi--untitled--mixed-media-on-canvas--100x140-cm-1.jpeg" /&#62;
&#60;img width="646" height="1344" width_o="646" height_o="1344" data-src="https://freight.cargo.site/t/original/i/8700e5e09761ca845c50276306dc96775b4d95bac0a7fb81e15faa9f455d6ac9/chairs.png" data-mid="219886738" border="0"  src="https://freight.cargo.site/w/646/i/8700e5e09761ca845c50276306dc96775b4d95bac0a7fb81e15faa9f455d6ac9/chairs.png" /&#62;
&#60;img width="1026" height="796" width_o="1026" height_o="796" data-src="https://freight.cargo.site/t/original/i/7c5f7d0d5c2966853a29e018fe20104968c9e9a10c3d902e9e7427064dbff030/Screenshot-2024-09-17-at-13.18.48.png" data-mid="219786292" border="0"  src="https://freight.cargo.site/w/1000/i/7c5f7d0d5c2966853a29e018fe20104968c9e9a10c3d902e9e7427064dbff030/Screenshot-2024-09-17-at-13.18.48.png" /&#62;
&#60;img width="1132" height="1528" width_o="1132" height_o="1528" data-src="https://freight.cargo.site/t/original/i/9cb1751e70fae5107c05d46645ad012647de0298e2b222d68177d4e71d265e6f/2b0a33cb-8c8f-4c8f-b55e-a75ec1fdfac5-1.jpeg" data-mid="219849670" border="0"  src="https://freight.cargo.site/w/1000/i/9cb1751e70fae5107c05d46645ad012647de0298e2b222d68177d4e71d265e6f/2b0a33cb-8c8f-4c8f-b55e-a75ec1fdfac5-1.jpeg" /&#62;
&#60;img width="814" height="1159" width_o="814" height_o="1159" data-src="https://freight.cargo.site/t/original/i/b09b335c535fe2be0f78bae05bf9eabb94771a1397dc966426566c7c4e1ff275/Screenshot-2024-07-08-at-17.03.14.png" data-mid="219886589" border="0"  src="https://freight.cargo.site/w/814/i/b09b335c535fe2be0f78bae05bf9eabb94771a1397dc966426566c7c4e1ff275/Screenshot-2024-07-08-at-17.03.14.png" /&#62;
&#60;img width="876" height="968" width_o="876" height_o="968" data-src="https://freight.cargo.site/t/original/i/d2d698ec6774b9629d2a99778740132d0e1ca4b74cca89449f77b55104834a97/Screenshot-2024-07-08-at-11.29.53.png" data-mid="219786169" border="0"  src="https://freight.cargo.site/w/876/i/d2d698ec6774b9629d2a99778740132d0e1ca4b74cca89449f77b55104834a97/Screenshot-2024-07-08-at-11.29.53.png" /&#62;
&#60;img width="1514" height="1398" width_o="1514" height_o="1398" data-src="https://freight.cargo.site/t/original/i/033b9c6dbe43b0521e6a0cc9d1af532905b4675ec41cd2cf72b1c0ced8e250b2/Screenshot-2024-07-08-at-11.28.36.png" data-mid="219786167" border="0"  src="https://freight.cargo.site/w/1000/i/033b9c6dbe43b0521e6a0cc9d1af532905b4675ec41cd2cf72b1c0ced8e250b2/Screenshot-2024-07-08-at-11.28.36.png" /&#62;
&#60;img width="1200" height="975" width_o="1200" height_o="975" data-src="https://freight.cargo.site/t/original/i/48688bb681d540b3fe9db3a4b65b13b080b9391e7255b60a630bac9d167020b8/Screenshot-2022-07-15-at-11.06.33.png" data-mid="219786183" border="0"  src="https://freight.cargo.site/w/1000/i/48688bb681d540b3fe9db3a4b65b13b080b9391e7255b60a630bac9d167020b8/Screenshot-2022-07-15-at-11.06.33.png" /&#62;
&#60;img width="894" height="1192" width_o="894" height_o="1192" data-src="https://freight.cargo.site/t/original/i/24d9124fc71d632c3798313106e1541607e9832927a3c9b1029ed223c19d4cff/Screenshot-2024-07-08-at-12.27.51.png" data-mid="219786182" border="0"  src="https://freight.cargo.site/w/894/i/24d9124fc71d632c3798313106e1541607e9832927a3c9b1029ed223c19d4cff/Screenshot-2024-07-08-at-12.27.51.png" /&#62;
&#60;img width="1890" height="1417" width_o="1890" height_o="1417" data-src="https://freight.cargo.site/t/original/i/9545e673a008310d62c3ab4cc36edec3bb22c490994abfde7e494a5f66b5cca1/anais.png" data-mid="219887624" border="0"  src="https://freight.cargo.site/w/1000/i/9545e673a008310d62c3ab4cc36edec3bb22c490994abfde7e494a5f66b5cca1/anais.png" /&#62;
&#60;img width="1644" height="1234" width_o="1644" height_o="1234" data-src="https://freight.cargo.site/t/original/i/eba7faa27aa9689838938cffc9495835f56ef0c1edd1b4987c0d7c1013807fc6/Screenshot-2024-07-08-at-12.37.14.png" data-mid="219786188" border="0"  src="https://freight.cargo.site/w/1000/i/eba7faa27aa9689838938cffc9495835f56ef0c1edd1b4987c0d7c1013807fc6/Screenshot-2024-07-08-at-12.37.14.png" /&#62;
&#60;img width="874" height="981" width_o="874" height_o="981" data-src="https://freight.cargo.site/t/original/i/7831dcc7bc8158638a61a6fdc536bb7125c878b3ceb28dd7d89dac1e563f24c4/jack.png" data-mid="219886489" border="0"  src="https://freight.cargo.site/w/874/i/7831dcc7bc8158638a61a6fdc536bb7125c878b3ceb28dd7d89dac1e563f24c4/jack.png" /&#62;
&#60;img width="2000" height="3998" width_o="2000" height_o="3998" data-src="https://freight.cargo.site/t/original/i/87a486afdc9feb6a5e8435808c1b4ff356051462cbfc904c5114c21ff7467339/Grosse-Johannboecke_Ben_Zaporizhzhia--Still_2024-Cropped.jpg" data-mid="241685125" border="0"  src="https://freight.cargo.site/w/1000/i/87a486afdc9feb6a5e8435808c1b4ff356051462cbfc904c5114c21ff7467339/Grosse-Johannboecke_Ben_Zaporizhzhia--Still_2024-Cropped.jpg" /&#62;
&#60;img width="1502" height="1350" width_o="1502" height_o="1350" data-src="https://freight.cargo.site/t/original/i/49f25789c7c7ef44c4b5f461efbcea3f647f7dc760d3792e2f9987aa508b9981/Screenshot-2024-07-08-at-12.34.18.png" data-mid="219786187" border="0"  src="https://freight.cargo.site/w/1000/i/49f25789c7c7ef44c4b5f461efbcea3f647f7dc760d3792e2f9987aa508b9981/Screenshot-2024-07-08-at-12.34.18.png" /&#62;
&#60;img width="2658" height="1452" width_o="2658" height_o="1452" data-src="https://freight.cargo.site/t/original/i/248aed48a9c0cdbe80d713db4a0da1ac9452e8b78eb22d56c7d3066d69795cfb/Screenshot-2024-10-16-at-17.05.24.png" data-mid="219890145" border="0"  src="https://freight.cargo.site/w/1000/i/248aed48a9c0cdbe80d713db4a0da1ac9452e8b78eb22d56c7d3066d69795cfb/Screenshot-2024-10-16-at-17.05.24.png" /&#62;
&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/dc83e88e8e912a838fa88e61f561b15fe52a3746da4bd2f8839ee830b54d2343/IMG_0860-2.jpeg" data-mid="219786282" border="0"  src="https://freight.cargo.site/w/1000/i/dc83e88e8e912a838fa88e61f561b15fe52a3746da4bd2f8839ee830b54d2343/IMG_0860-2.jpeg" /&#62;
&#60;img width="1944" height="1238" width_o="1944" height_o="1238" data-src="https://freight.cargo.site/t/original/i/6e40fe9e058210d4ed320a31650ea74e9deac3c73c181eb8616774092a7391c9/Screenshot-2024-07-08-at-12.56.40.png" data-mid="219786205" border="0"  src="https://freight.cargo.site/w/1000/i/6e40fe9e058210d4ed320a31650ea74e9deac3c73c181eb8616774092a7391c9/Screenshot-2024-07-08-at-12.56.40.png" /&#62;
&#60;img width="1600" height="946" width_o="1600" height_o="946" data-src="https://freight.cargo.site/t/original/i/ee5f229d2dd3f7613fd9097c770ca609accded81d5e2730f2071f394f3053770/smallerWIP_1600_c.jpg" data-mid="219786191" border="0"  src="https://freight.cargo.site/w/1000/i/ee5f229d2dd3f7613fd9097c770ca609accded81d5e2730f2071f394f3053770/smallerWIP_1600_c.jpg" /&#62;
&#60;img width="597" height="682" width_o="597" height_o="682" data-src="https://freight.cargo.site/t/original/i/998254d68fe898f9e62b0327558eb09f249893d9e53f36a7fdb2e7570484fdfa/5-MB-Jul-09-2024-M8R8S-Studio-JPEG-WEB-3800px-50-lossless-CREDIT-M8R8S-STUDIO-DANIEL-BROWNE-1.jpg" data-mid="219886584" border="0"  src="https://freight.cargo.site/w/597/i/998254d68fe898f9e62b0327558eb09f249893d9e53f36a7fdb2e7570484fdfa/5-MB-Jul-09-2024-M8R8S-Studio-JPEG-WEB-3800px-50-lossless-CREDIT-M8R8S-STUDIO-DANIEL-BROWNE-1.jpg" /&#62;
&#60;img width="1070" height="1363" width_o="1070" height_o="1363" data-src="https://freight.cargo.site/t/original/i/a769099f9e06eeadf629d9ec1be70d6c9c8fa2110cddc02a92365af60cfbd764/HH.png" data-mid="219889936" border="0"  src="https://freight.cargo.site/w/1000/i/a769099f9e06eeadf629d9ec1be70d6c9c8fa2110cddc02a92365af60cfbd764/HH.png" /&#62;
&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/948ff3c08e66c7bfca360b372305ed3326c08509afd222313bdb61ee6befee16/_MG_8758-copy.jpg" data-mid="219786286" border="0"  src="https://freight.cargo.site/w/1000/i/948ff3c08e66c7bfca360b372305ed3326c08509afd222313bdb61ee6befee16/_MG_8758-copy.jpg" /&#62;
&#60;img width="962" height="1156" width_o="962" height_o="1156" data-src="https://freight.cargo.site/t/original/i/b8241957525d2f3da5c5de00acc7876dbf167df5e062afcbe929d4bb7eccb077/Screenshot-2024-07-08-at-12.31.51.png" data-mid="219786185" border="0"  src="https://freight.cargo.site/w/962/i/b8241957525d2f3da5c5de00acc7876dbf167df5e062afcbe929d4bb7eccb077/Screenshot-2024-07-08-at-12.31.51.png" /&#62;
&#60;img width="873" height="1230" width_o="873" height_o="1230" data-src="https://freight.cargo.site/t/original/i/afca725254d2eb38dd78046ec9fb1cc9538ee4d90967ed43b73a997079ff53e9/lucy.png" data-mid="219886297" border="0"  src="https://freight.cargo.site/w/873/i/afca725254d2eb38dd78046ec9fb1cc9538ee4d90967ed43b73a997079ff53e9/lucy.png" /&#62;
&#60;img width="1890" height="1417" width_o="1890" height_o="1417" data-src="https://freight.cargo.site/t/original/i/a3a7c7d2f328cb4c53073fa24e8bdfa0a6f461dd4eea65ce1fb86ebef2d37660/sohpie.png" data-mid="219886506" border="0"  src="https://freight.cargo.site/w/1000/i/a3a7c7d2f328cb4c53073fa24e8bdfa0a6f461dd4eea65ce1fb86ebef2d37660/sohpie.png" /&#62;
&#60;img width="1702" height="1176" width_o="1702" height_o="1176" data-src="https://freight.cargo.site/t/original/i/6e8f3c4fe6567c23cfa1c48f33688ec2021df8296aaf275340393dff506b3470/60ccd16b98de755bbff8392b-800864.jpeg" data-mid="219786272" border="0"  src="https://freight.cargo.site/w/1000/i/6e8f3c4fe6567c23cfa1c48f33688ec2021df8296aaf275340393dff506b3470/60ccd16b98de755bbff8392b-800864.jpeg" /&#62;
&#60;img width="927" height="952" width_o="927" height_o="952" data-src="https://freight.cargo.site/t/original/i/f1eb01ae4af1d2e6438ba7080dd8451948013db50c619d161c31ad9f95a3ef75/RDH.png" data-mid="219890040" border="0"  src="https://freight.cargo.site/w/927/i/f1eb01ae4af1d2e6438ba7080dd8451948013db50c619d161c31ad9f95a3ef75/RDH.png" /&#62;
&#60;img width="575" height="422" width_o="575" height_o="422" data-src="https://freight.cargo.site/t/original/i/54baf3ea9ad8c518bf8cd69ac22c3d91179386b0bb89d01c698324554a1b5dd8/screen-shot-2020-02-23-at-11-26-45.png" data-mid="219849639" border="0"  src="https://freight.cargo.site/w/575/i/54baf3ea9ad8c518bf8cd69ac22c3d91179386b0bb89d01c698324554a1b5dd8/screen-shot-2020-02-23-at-11-26-45.png" /&#62;
&#60;img width="1022" height="1388" width_o="1022" height_o="1388" data-src="https://freight.cargo.site/t/original/i/fd7419ddffda8dff6c7122a80261b4adff5d42578bc3fa5435d9f381fd8540e6/Screenshot-2024-07-08-at-13.08.12.png" data-mid="219786217" border="0"  src="https://freight.cargo.site/w/1000/i/fd7419ddffda8dff6c7122a80261b4adff5d42578bc3fa5435d9f381fd8540e6/Screenshot-2024-07-08-at-13.08.12.png" /&#62;
&#60;img width="2500" height="3125" width_o="2500" height_o="3125" data-src="https://freight.cargo.site/t/original/i/8cc3c30ef07ff6a13b10ed80ce4a4c63fe38abb31dde45fa589dd4300c27fa64/NuriaLopezBlanco-Anti-fogProtocol3-ezgif.com-webp-to-png-converter.png" data-mid="241685168" border="0"  src="https://freight.cargo.site/w/1000/i/8cc3c30ef07ff6a13b10ed80ce4a4c63fe38abb31dde45fa589dd4300c27fa64/NuriaLopezBlanco-Anti-fogProtocol3-ezgif.com-webp-to-png-converter.png" /&#62;
&#60;img width="649" height="1236" width_o="649" height_o="1236" data-src="https://freight.cargo.site/t/original/i/c85eb95b065698ddee653c0ff5fe10aa52579a5cb501fdf5ba5ab63ef0d4e14e/hand-6.png" data-mid="219786211" border="0"  src="https://freight.cargo.site/w/649/i/c85eb95b065698ddee653c0ff5fe10aa52579a5cb501fdf5ba5ab63ef0d4e14e/hand-6.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ed75b3588130889520f8a491c6b3adffa0cf08d3fafc60b98618bc95e90650e5/MP12_LightShineThrough.png" data-mid="219786208" border="0"  src="https://freight.cargo.site/w/1000/i/ed75b3588130889520f8a491c6b3adffa0cf08d3fafc60b98618bc95e90650e5/MP12_LightShineThrough.png" /&#62;
&#60;img width="1112" height="742" width_o="1112" height_o="742" data-src="https://freight.cargo.site/t/original/i/4c635258a158e1a7e89161470660967a9bed2f93510f401ecb953e675bc7a912/Gal-Leshem-Red-1.jpg" data-mid="219786213" border="0"  src="https://freight.cargo.site/w/1000/i/4c635258a158e1a7e89161470660967a9bed2f93510f401ecb953e675bc7a912/Gal-Leshem-Red-1.jpg" /&#62;
&#60;img width="1209" height="1141" width_o="1209" height_o="1141" data-src="https://freight.cargo.site/t/original/i/69bd70ffc711329e2f4d7f73cc8408fe13c7c0c0786a0925b8d127cdaa44841a/HL.png" data-mid="219889943" border="0"  src="https://freight.cargo.site/w/1000/i/69bd70ffc711329e2f4d7f73cc8408fe13c7c0c0786a0925b8d127cdaa44841a/HL.png" /&#62;
&#60;img width="2378" height="1190" width_o="2378" height_o="1190" data-src="https://freight.cargo.site/t/original/i/581cb5177bc6192ffe5402be4daa94e8bb0414b8b19998b947b5f0646d0629eb/Screenshot-2024-07-08-at-13.12.40.png" data-mid="219786220" border="0"  src="https://freight.cargo.site/w/1000/i/581cb5177bc6192ffe5402be4daa94e8bb0414b8b19998b947b5f0646d0629eb/Screenshot-2024-07-08-at-13.12.40.png" /&#62;
&#60;img width="966" height="1175" width_o="966" height_o="1175" data-src="https://freight.cargo.site/t/original/i/28e81ced27fe99223a28ed90e2b72425e0c633f758550489d14ec2453a16d777/hylo_85x70_WEB-1.jpg" data-mid="233080960" border="0"  src="https://freight.cargo.site/w/966/i/28e81ced27fe99223a28ed90e2b72425e0c633f758550489d14ec2453a16d777/hylo_85x70_WEB-1.jpg" /&#62;
&#60;img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/2afd300f768284760dad77666f8f756645142aedec9a61eef08dea167f8d0d29/2024-06-10_E-A-L_JinxNevesta_Performance-pt2-7.jpg" data-mid="219786218" border="0"  src="https://freight.cargo.site/w/1000/i/2afd300f768284760dad77666f8f756645142aedec9a61eef08dea167f8d0d29/2024-06-10_E-A-L_JinxNevesta_Performance-pt2-7.jpg" /&#62;
&#60;img width="1234" height="792" width_o="1234" height_o="792" data-src="https://freight.cargo.site/t/original/i/6b914347e370b3ae9108b8789d5bbb29fbbdbbdc8256ff38ee4a86e5b79d5d9c/Screenshot-2024-07-08-at-18.49.46.png" data-mid="219849664" border="0"  src="https://freight.cargo.site/w/1000/i/6b914347e370b3ae9108b8789d5bbb29fbbdbbdc8256ff38ee4a86e5b79d5d9c/Screenshot-2024-07-08-at-18.49.46.png" /&#62;
&#60;img width="1443" height="1137" width_o="1443" height_o="1137" data-src="https://freight.cargo.site/t/original/i/396f29a09dea3c7936e8723d722d768d16462d2bf1819eb446a6e9a53a32feb9/max.png" data-mid="219886614" border="0"  src="https://freight.cargo.site/w/1000/i/396f29a09dea3c7936e8723d722d768d16462d2bf1819eb446a6e9a53a32feb9/max.png" /&#62;
&#60;img width="1370" height="1314" width_o="1370" height_o="1314" data-src="https://freight.cargo.site/t/original/i/8b6fbb7a90a76c25a035e0295cc0214f9d6d6a30346a48f436c398af8590a145/book.png" data-mid="219886323" border="0"  src="https://freight.cargo.site/w/1000/i/8b6fbb7a90a76c25a035e0295cc0214f9d6d6a30346a48f436c398af8590a145/book.png" /&#62;
&#60;img width="1414" height="1028" width_o="1414" height_o="1028" data-src="https://freight.cargo.site/t/original/i/87719c43065605ddec6fbc78ae64d7fc2534c40f5757d6d464e6d137735ca0c3/Screenshot-2024-07-08-at-18.54.06.png" data-mid="219786275" border="0"  src="https://freight.cargo.site/w/1000/i/87719c43065605ddec6fbc78ae64d7fc2534c40f5757d6d464e6d137735ca0c3/Screenshot-2024-07-08-at-18.54.06.png" /&#62;
&#60;img width="2850" height="3800" width_o="2850" height_o="3800" data-src="https://freight.cargo.site/t/original/i/6b8a33c5732048bf8f84c9cba9a49c8bfdf4abcb55bca1a9efe5ba5131da299f/Eleni-Papazoglou_01.Originals_2023.jpg" data-mid="241685173" border="0"  src="https://freight.cargo.site/w/1000/i/6b8a33c5732048bf8f84c9cba9a49c8bfdf4abcb55bca1a9efe5ba5131da299f/Eleni-Papazoglou_01.Originals_2023.jpg" /&#62;
&#60;img width="600" height="742" width_o="600" height_o="742" data-src="https://freight.cargo.site/t/original/i/b57980f2707ec64a81f975d184399ffb4c875449fa1ec1c4500c1dfe1d98ebb8/IMG_7387-2.png" data-mid="219886640" border="0"  src="https://freight.cargo.site/w/600/i/b57980f2707ec64a81f975d184399ffb4c875449fa1ec1c4500c1dfe1d98ebb8/IMG_7387-2.png" /&#62;
&#60;img width="913" height="1117" width_o="913" height_o="1117" data-src="https://freight.cargo.site/t/original/i/af9944566061ac743acc54e1a54c4d853f0d587a9fe07222062dfddf58c1cd24/SP.png" data-mid="219886763" border="0"  src="https://freight.cargo.site/w/913/i/af9944566061ac743acc54e1a54c4d853f0d587a9fe07222062dfddf58c1cd24/SP.png" /&#62;
&#60;img width="862" height="991" width_o="862" height_o="991" data-src="https://freight.cargo.site/t/original/i/de00a14042d2ccb3aef09ef803f01cc8c405a81db6b9bad926192f6a9489e160/LeaPorre-EspacioOdeon-LawofRuins-11-ezgif.com-webp-to-jpg-converter.jpg" data-mid="219786285" border="0"  src="https://freight.cargo.site/w/862/i/de00a14042d2ccb3aef09ef803f01cc8c405a81db6b9bad926192f6a9489e160/LeaPorre-EspacioOdeon-LawofRuins-11-ezgif.com-webp-to-jpg-converter.jpg" /&#62;
&#60;img width="1500" height="1061" width_o="1500" height_o="1061" data-src="https://freight.cargo.site/t/original/i/9a867e2958ec6f61448fe445ddd17da71f5171c65b7b6a717679d3aec5f480a7/VB_6113-2.jpg" data-mid="246095732" border="0"  src="https://freight.cargo.site/w/1000/i/9a867e2958ec6f61448fe445ddd17da71f5171c65b7b6a717679d3aec5f480a7/VB_6113-2.jpg" /&#62;
&#60;img width="1976" height="1460" width_o="1976" height_o="1460" data-src="https://freight.cargo.site/t/original/i/e88e1e7e1bf5db40afbdbbe34b6356a6e87c395047e398106a12416d0256a492/Screenshot-2024-10-16-at-19.41.49.png" data-mid="219849489" border="0"  src="https://freight.cargo.site/w/1000/i/e88e1e7e1bf5db40afbdbbe34b6356a6e87c395047e398106a12416d0256a492/Screenshot-2024-10-16-at-19.41.49.png" /&#62;
&#60;img width="2362" height="3150" width_o="2362" height_o="3150" data-src="https://freight.cargo.site/t/original/i/1b4668ca125c969c78ad12fcdd2e710692292865a4c0917e0ff3eff1ea282124/23_01_15_Elemental-Anomalies-Install0027a-copy.2.jpg" data-mid="219849595" border="0"  src="https://freight.cargo.site/w/1000/i/1b4668ca125c969c78ad12fcdd2e710692292865a4c0917e0ff3eff1ea282124/23_01_15_Elemental-Anomalies-Install0027a-copy.2.jpg" /&#62;
&#60;img width="980" height="980" width_o="980" height_o="980" data-src="https://freight.cargo.site/t/original/i/a526edc983a1a7b18b46e031c6707b21edad3e56dc6887001df4abe0d28f8212/gutsgallery-elsa-rouy-i-could-always-crack-a-joke-2022.jpg" data-mid="219786289" border="0"  src="https://freight.cargo.site/w/980/i/a526edc983a1a7b18b46e031c6707b21edad3e56dc6887001df4abe0d28f8212/gutsgallery-elsa-rouy-i-could-always-crack-a-joke-2022.jpg" /&#62;
&#60;img width="2000" height="1353" width_o="2000" height_o="1353" data-src="https://freight.cargo.site/t/original/i/c94431486487792d02980b464be1475b55d54ab6b302d97346cbc05a044c0cce/victor-0.jpg" data-mid="219786236" border="0"  src="https://freight.cargo.site/w/1000/i/c94431486487792d02980b464be1475b55d54ab6b302d97346cbc05a044c0cce/victor-0.jpg" /&#62;
&#60;img width="2014" height="1342" width_o="2014" height_o="1342" data-src="https://freight.cargo.site/t/original/i/ddbf153fe6f4987b5538c9f307f02db17c43132c79085c9973c11549e55cf438/Screenshot-2024-10-15-at-22.22.54.png" data-mid="219849618" border="0"  src="https://freight.cargo.site/w/1000/i/ddbf153fe6f4987b5538c9f307f02db17c43132c79085c9973c11549e55cf438/Screenshot-2024-10-15-at-22.22.54.png" /&#62;
&#60;img width="1016" height="1274" width_o="1016" height_o="1274" data-src="https://freight.cargo.site/t/original/i/da345f5eaa12d4a66525003ccb1a81d70374b0e9658ea7909b07f6110c8fe320/Screenshot-2024-07-08-at-14.29.04.png" data-mid="219786233" border="0"  src="https://freight.cargo.site/w/1000/i/da345f5eaa12d4a66525003ccb1a81d70374b0e9658ea7909b07f6110c8fe320/Screenshot-2024-07-08-at-14.29.04.png" /&#62;
&#60;img width="5464" height="8192" width_o="5464" height_o="8192" data-src="https://freight.cargo.site/t/original/i/6c7a1d86c0af03832859cba0b235cf4b3a13cefc52b71853d97abb9272e49730/Gabriela-Pelczarska_When-yes-is-a-commitment-and-no-is-a-protection-I-2024_Latex--aluminium--acrylic_342710jpg.jpg" data-mid="241685177" border="0"  src="https://freight.cargo.site/w/1000/i/6c7a1d86c0af03832859cba0b235cf4b3a13cefc52b71853d97abb9272e49730/Gabriela-Pelczarska_When-yes-is-a-commitment-and-no-is-a-protection-I-2024_Latex--aluminium--acrylic_342710jpg.jpg" /&#62;
&#60;img width="1044" height="1332" width_o="1044" height_o="1332" data-src="https://freight.cargo.site/t/original/i/9503a74966d08a7b8c3b4e0a6833589cb86635b534571dad4e3bcc48a3b5f293/Screenshot-2025-04-27-at-16.07.24.png" data-mid="231627251" border="0"  src="https://freight.cargo.site/w/1000/i/9503a74966d08a7b8c3b4e0a6833589cb86635b534571dad4e3bcc48a3b5f293/Screenshot-2025-04-27-at-16.07.24.png" /&#62;
&#60;img width="1290" height="1540" width_o="1290" height_o="1540" data-src="https://freight.cargo.site/t/original/i/f3c3a4166637d5b2a0252cc4afe2e410ac7ffb3e46e1a58b5cefe77eb68cd34f/Screenshot-2024-10-16-at-17.44.28.png" data-mid="219849493" border="0"  src="https://freight.cargo.site/w/1000/i/f3c3a4166637d5b2a0252cc4afe2e410ac7ffb3e46e1a58b5cefe77eb68cd34f/Screenshot-2024-10-16-at-17.44.28.png" /&#62;
&#60;img width="1300" height="730" width_o="1300" height_o="730" data-src="https://freight.cargo.site/t/original/i/9d7ceb3c49470fa3ecb64eba2e9843fe583e4ad4602d35853d5d62fbac4b130d/Screenshot-2024-09-17-at-13.11.42.png" data-mid="219786287" border="0"  src="https://freight.cargo.site/w/1000/i/9d7ceb3c49470fa3ecb64eba2e9843fe583e4ad4602d35853d5d62fbac4b130d/Screenshot-2024-09-17-at-13.11.42.png" /&#62;
&#60;img width="400" height="531" width_o="400" height_o="531" data-src="https://freight.cargo.site/t/original/i/293b57b2a6311682886e51a3acafa0bbad93496b06ea955b5ae348519acff04c/Stamatopoulos_Katrina_02.jpg" data-mid="219849502" border="0"  src="https://freight.cargo.site/w/400/i/293b57b2a6311682886e51a3acafa0bbad93496b06ea955b5ae348519acff04c/Stamatopoulos_Katrina_02.jpg" /&#62;
&#60;img width="1000" height="1333" width_o="1000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/4415a50fc263dcfbf7732d9d8f689399edbc3fdb1ee8fe69a4f52871cd0e88d3/2-1.jpg" data-mid="219849531" border="0"  src="https://freight.cargo.site/w/1000/i/4415a50fc263dcfbf7732d9d8f689399edbc3fdb1ee8fe69a4f52871cd0e88d3/2-1.jpg" /&#62;
&#60;img width="2056" height="1666" width_o="2056" height_o="1666" data-src="https://freight.cargo.site/t/original/i/211a4014b5d346feb71716ca5a6958120ef7ff91a42e0d9d54a0f6ce84fbeab6/wash_02.png" data-mid="219786241" border="0"  src="https://freight.cargo.site/w/1000/i/211a4014b5d346feb71716ca5a6958120ef7ff91a42e0d9d54a0f6ce84fbeab6/wash_02.png" /&#62;
&#60;img width="584" height="467" width_o="584" height_o="467" data-src="https://freight.cargo.site/t/original/i/338f272cbb7b33e6d5904065a260f6387d4bcafea8091b0872f0eb6d137b5761/434877.jpg" data-mid="219786280" border="0"  src="https://freight.cargo.site/w/584/i/338f272cbb7b33e6d5904065a260f6387d4bcafea8091b0872f0eb6d137b5761/434877.jpg" /&#62;
&#60;img width="2400" height="1603" width_o="2400" height_o="1603" data-src="https://freight.cargo.site/t/original/i/77f4bdb27c3bca04a636e446528b5916292fcdf2e916f032420a6ef4bbb25d3f/11_68.jpg" data-mid="219786290" border="0"  src="https://freight.cargo.site/w/1000/i/77f4bdb27c3bca04a636e446528b5916292fcdf2e916f032420a6ef4bbb25d3f/11_68.jpg" /&#62;
&#60;img width="2048" height="1151" width_o="2048" height_o="1151" data-src="https://freight.cargo.site/t/original/i/9de248427a6f6aa9b29a109efd23d66bf3e11529407e05520543144d3a572303/6658be14aa01d8cd464d776b_banner000051100027.jpg" data-mid="219786245" border="0"  src="https://freight.cargo.site/w/1000/i/9de248427a6f6aa9b29a109efd23d66bf3e11529407e05520543144d3a572303/6658be14aa01d8cd464d776b_banner000051100027.jpg" /&#62;
&#60;img width="2304" height="1922" width_o="2304" height_o="1922" data-src="https://freight.cargo.site/t/original/i/6aabf05e33d61f7bffa02e53683492961663c09020e21745bbf6ef2f83de9334/Dream-of-the-Blue-Chamber-200x240cm-oil-on-linen-2022-photo-by-Annik-Wetter-scaled.jpg" data-mid="219786277" border="0"  src="https://freight.cargo.site/w/1000/i/6aabf05e33d61f7bffa02e53683492961663c09020e21745bbf6ef2f83de9334/Dream-of-the-Blue-Chamber-200x240cm-oil-on-linen-2022-photo-by-Annik-Wetter-scaled.jpg" /&#62;
&#60;img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/0f0e90b86af6e7b3e864660eb0953897d5fab7f880252b21411ae20749cb6fb9/un-sense-highlighted-artworks-tom-connell-wilson.jpg" data-mid="219786250" border="0"  src="https://freight.cargo.site/w/1000/i/0f0e90b86af6e7b3e864660eb0953897d5fab7f880252b21411ae20749cb6fb9/un-sense-highlighted-artworks-tom-connell-wilson.jpg" /&#62;
&#60;img width="604" height="745" width_o="604" height_o="745" data-src="https://freight.cargo.site/t/original/i/47354e9e7a6051ac6acb8563b84d21021967f4f2aab86129de8edbb88cdbde58/Emma-Tod-Incanto-painting-at-IMT-Gallery-London-photo-by-Peter-Otto-3.jpeg" data-mid="219786278" border="0"  src="https://freight.cargo.site/w/604/i/47354e9e7a6051ac6acb8563b84d21021967f4f2aab86129de8edbb88cdbde58/Emma-Tod-Incanto-painting-at-IMT-Gallery-London-photo-by-Peter-Otto-3.jpeg" /&#62;
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/6b8bd2be9a7ce8d3cce6d74656363534498f784667c67d41080d2d388e76910f/IMG_0301-copy.JPG" data-mid="233080975" border="0"  src="https://freight.cargo.site/w/1000/i/6b8bd2be9a7ce8d3cce6d74656363534498f784667c67d41080d2d388e76910f/IMG_0301-copy.JPG" /&#62;
&#60;img width="6627" height="8844" width_o="6627" height_o="8844" data-src="https://freight.cargo.site/t/original/i/df465c21f67a0dc67420fcbdc99d975bbe97d1cc1304ecc7f432ed026d311f91/Wilhelm-Traeger--Der-Traumweg-zur-Unendlichkeit-Dream-path-to-infinity--1961.jpeg" data-mid="231627002" border="0"  src="https://freight.cargo.site/w/1000/i/df465c21f67a0dc67420fcbdc99d975bbe97d1cc1304ecc7f432ed026d311f91/Wilhelm-Traeger--Der-Traumweg-zur-Unendlichkeit-Dream-path-to-infinity--1961.jpeg" /&#62;
&#60;img width="1850" height="1234" width_o="1850" height_o="1234" data-src="https://freight.cargo.site/t/original/i/ca624b382ef606e35e666b2a19de0fb3cb062454f06555c5ccdb42d467208c91/60c4391ca98c7847e5235c68-biography_1264559-resize-1920-1234.jpg" data-mid="219786247" border="0"  src="https://freight.cargo.site/w/1000/i/ca624b382ef606e35e666b2a19de0fb3cb062454f06555c5ccdb42d467208c91/60c4391ca98c7847e5235c68-biography_1264559-resize-1920-1234.jpg" /&#62;
&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/e75449d8315a6c4792e116efb351c54ed309b537e0de7c573e1e98a8d2d020eb/Signe-Eliza-Pook--Club-Cherub-----2024.jpg" data-mid="241685203" border="0"  src="https://freight.cargo.site/w/1000/i/e75449d8315a6c4792e116efb351c54ed309b537e0de7c573e1e98a8d2d020eb/Signe-Eliza-Pook--Club-Cherub-----2024.jpg" /&#62;
&#60;img width="1442" height="1080" width_o="1442" height_o="1080" data-src="https://freight.cargo.site/t/original/i/16cce8cfb1b5b232fd0476e4f379ed53add71c953f04a82b062bcdacd6c0a341/Screenshot-2024-07-08-at-14.41.30.png" data-mid="219786246" border="0"  src="https://freight.cargo.site/w/1000/i/16cce8cfb1b5b232fd0476e4f379ed53add71c953f04a82b062bcdacd6c0a341/Screenshot-2024-07-08-at-14.41.30.png" /&#62;
&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/c6fe52ff076bea549d74b4582ae9ab76357d7bd7cd4cd2dce05384b9ff04d658/6-1.jpg" data-mid="241685258" border="0"  src="https://freight.cargo.site/w/1000/i/c6fe52ff076bea549d74b4582ae9ab76357d7bd7cd4cd2dce05384b9ff04d658/6-1.jpg" /&#62;
&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/7203f68edaf5f4dc48f47bf78a38ffa12ccb2cf54d1f9e514312fb7e4bbdefbb/ICA-Gray-Wielebinski-Press-Selection-Low-Res-1-1.jpg" data-mid="231626731" border="0"  src="https://freight.cargo.site/w/1000/i/7203f68edaf5f4dc48f47bf78a38ffa12ccb2cf54d1f9e514312fb7e4bbdefbb/ICA-Gray-Wielebinski-Press-Selection-Low-Res-1-1.jpg" /&#62;
&#60;img width="2700" height="1801" width_o="2700" height_o="1801" data-src="https://freight.cargo.site/t/original/i/6f1b1b5fcdbcfc48220a64a5d9c4b92aa1eed70580516c5cba4375d12d51a521/Afgang25_044_Photo-by-David-Stjernholm-ezgif.com-webp-to-png-converter.png" data-mid="241685256" border="0"  src="https://freight.cargo.site/w/1000/i/6f1b1b5fcdbcfc48220a64a5d9c4b92aa1eed70580516c5cba4375d12d51a521/Afgang25_044_Photo-by-David-Stjernholm-ezgif.com-webp-to-png-converter.png" /&#62;
&#60;img width="2068" height="1372" width_o="2068" height_o="1372" data-src="https://freight.cargo.site/t/original/i/570bf58971fec214b67e82fff7d644003e8ed8fc6aea400a56b140d16d9551ed/Screenshot-2024-07-08-at-14.43.25.png" data-mid="219786251" border="0"  src="https://freight.cargo.site/w/1000/i/570bf58971fec214b67e82fff7d644003e8ed8fc6aea400a56b140d16d9551ed/Screenshot-2024-07-08-at-14.43.25.png" /&#62;
&#60;img width="2143" height="3000" width_o="2143" height_o="3000" data-src="https://freight.cargo.site/t/original/i/91a428cc1e8cedebffbf93f19d98b14a77d71ec37e4f4609b751a2e56b58d49e/L-54-Sin-Centre-installation-view.-Courtesy-Hannah-Barry-Gallery.--Damian-Griffiths-edited-1.jpg" data-mid="219849521" border="0"  src="https://freight.cargo.site/w/1000/i/91a428cc1e8cedebffbf93f19d98b14a77d71ec37e4f4609b751a2e56b58d49e/L-54-Sin-Centre-installation-view.-Courtesy-Hannah-Barry-Gallery.--Damian-Griffiths-edited-1.jpg" /&#62;
&#60;img width="556" height="1123" width_o="556" height_o="1123" data-src="https://freight.cargo.site/t/original/i/7e866363483be3227f67f06edd9b8b4c0cd7d8e6fd7f39878e6a4fea9ffa6866/MS.png" data-mid="241685248" border="0"  src="https://freight.cargo.site/w/556/i/7e866363483be3227f67f06edd9b8b4c0cd7d8e6fd7f39878e6a4fea9ffa6866/MS.png" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>Programming</title>
				
		<link>https://kollektivcollective.info/Programming</link>

		<pubDate>Thu, 08 Jun 2023 18:43:40 +0000</pubDate>

		<dc:creator>Kollektiv Collective</dc:creator>

		<guid isPermaLink="true">https://kollektivcollective.info/Programming</guid>

		<description>2025&#38;nbsp;
	

On the occasion of 𝐿𝑜𝑜𝓀 𝒶𝓉 𝓉𝒽𝑒 𝐿𝒾𝑔𝒽𝓉𝓈, 𝑀𝓎 𝐿𝑜𝓋𝑒, Teaspoon Projects in collaboration with Kollektiv Collective invite you to partake in an afternoon of reading, writing, and re-writing. On Sunday 14 September, 3–5pm, join us for a book party and workshop at Filet Space, 103 Murray Grove, N1 7QP.Centred around the exhibition’s literary themes of memory, community and history, the workshop will be dedicated to writing games. Paying homage to Annie Ernaux’s writing and legacy, this communal exercise encourages participants to cut up and re-assemble existing writing into personal expressions. We invite you to bring print materials, your diaries, newspapers, magazines, old exhibition handouts – all welcome. Textual materials of Annie Ernaux will be supplied.Coinciding with the workshop, we are excited to be offering Fitzcarraldo Editions copies of Ernaux’s novels for sale.
	14 September 2025, 3-5pmFiler Space
103 Murray Grove, London, N1 7QP
	&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/1d484a945ff90a19c020a8b9d3c8c465b44bec1f826336af49ee70954a3377e9/WhatsApp-Image-2025-08-27-at-12.16.28.jpeg" data-mid="237532914" border="0"  src="https://freight.cargo.site/w/1000/i/1d484a945ff90a19c020a8b9d3c8c465b44bec1f826336af49ee70954a3377e9/WhatsApp-Image-2025-08-27-at-12.16.28.jpeg" /&#62;
	Interventions in Space and Memory: Traeger, Wielebinski and Zhilyaev in Curatorial Dialoguewith Denis Maksimov, Sasha Shevchenko and Pia Zeitzen
On the occasion of the ACF’s exhibition&#38;nbsp;Of course I know eternity: Wilhelm Traeger + Gray Wielebinski and Pushkin House’s exhibition ______n Haus, the event&#38;nbsp; featured a screening of “_____n Haus” (2025) by Russian conceptual artist Arsen Zhilyaev, followed by a panel discussion between curators Denis Maksimov, Sasha Shevchenko and Pia Zeitzen. The evening was dedicated to the politics of memory, speculation and time as well as the conceptual considerations of two exhibitions in dialogue with their specific physical spaces.

Drawing on the visual and architectural similarities of the two exhibition spaces, the event directly interfered with the curatorial constants of time and space by screening Arsen Zhilyaev’ silent film with German subtitles, first shown at Pushkin House in 16mm pseudo-archival format between 26 March – 26 June 2025. The ACF’s salon, occupied by historical collages of Austrian post-war artist Wilhelm Traeger and site-specific installations of London-based American multidisciplinary artist Gray Wielebinski, turned into the space of encounter between speculative dialogues of the artists framed by the Georgian architecture, just like in Pushkin House.

The screening was followed by a conversation between curators of Of course I know eternity&#38;nbsp;Pia Zeitzen and Sasha Shevchenko of Kollektiv Collective and co-curator of ______n Haus&#38;nbsp;Denis Maksimov, discussing curatorial methodologies in the context of both exhibitions’ thematic underpinnings and their intersections, such as Zhilyaev’s interest in pataphysics as a language of political and institutional critique, Wielebinski’s approach towards deconstructing the aesthetics of power and control, and Traeger’s legacy of navigating the promises of progress in the aftermath of human devastation. In the space that is at once before and after the respective end date, the conversation extended into geopolitical discourses on cyclical time.


	14 July 2025Austrian Cultural Forum London 
	&#60;img width="2048" height="2048" width_o="2048" height_o="2048" data-src="https://freight.cargo.site/t/original/i/123e596d9cec7553826702b4223fb5c9f2cd910bae1d17855dee051e953f663d/ACF-x-PH-1.jpg" data-mid="234493745" border="0"  src="https://freight.cargo.site/w/1000/i/123e596d9cec7553826702b4223fb5c9f2cd910bae1d17855dee051e953f663d/ACF-x-PH-1.jpg" /&#62;
	2022
	Christie’s Education Lecture &#124; Cutting Edge Contemporary ArtIn person and streamed online via ZoomArtists Soa J. Hwang, Charlie Russell, Virginie Tan and Maayan Sophia Weisstub — all featured in the Un/Sense exhibition — will be discussing their creative processes, delving into the unique mediums they explore in their work. Find out more about their methodologies, and how their artistic practices go beyond the conventional.


	27 July 2022Christie’s, London
	&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/537ca0c943c9e907652992f39b8e440be0768104956246c6754644a4978ceb3a/3W4A5540_med-res.jpg" data-mid="232764987" border="0"  src="https://freight.cargo.site/w/1000/i/537ca0c943c9e907652992f39b8e440be0768104956246c6754644a4978ceb3a/3W4A5540_med-res.jpg" /&#62;Soa J. Hwang, Time + Machine, 2020. Photography by Dominique Croshaw.

	
	Christie’s Education Lecture &#124; From Art School to Art WorldIn person and streamed online via ZoomA lecture by Alessio Antoniolli, Director of Art Institution Gasworks who discussed the key elements to progressing in an artistic career after graduating art school. The discussion will included tips on how to market oneself in the art world, compete residency applications, and build relationships with galleries and representatives.


26 July 2022Christie’s, London
 
	&#60;img width="1000" height="931" width_o="1000" height_o="931" data-src="https://freight.cargo.site/t/original/i/70049ef591fcf5e19050e9f9db8f83123903d7c9f6700f890b4a04d1126a48da/alessio.jpg" data-mid="232764515" border="0"  src="https://freight.cargo.site/w/1000/i/70049ef591fcf5e19050e9f9db8f83123903d7c9f6700f890b4a04d1126a48da/alessio.jpg" /&#62;Alessio Antoniolli, portrait. 

	&#38;nbsp;

	Diamonds and Rust &#124; Performance by Freya Dooley
 A performance by Freya Dooley was commissioned to respond to Virginia Overton’s exhibition, Animal Magnetism (7 May–31 July 2022) at Goldsmiths CCA. In the sprawling sound-based performance, Dooley&#38;nbsp; worked with and against Overton’s architectural and sculptural works in the basement of the CCA building.Dooley’s layered practice incorporates writing, sound, performance and moving image to explore forms of synchronisation and discord between voices, structures and bodies. The wider themes in her work relate to precarious states, social connection, and tensions between personal and collective experiences. Often rooted in close-range observations and intimate environments, her layered soundtracks and meandering fictional narratives expand outwards in scale, navigating their way through divergent subjects.
This live performance commission at CCA encompassed spoken text and musical composition. Dooley worked with manipulations of live and recorded voice, field recordings and fragmented samples to respond to the surfaces, substances and textures of the exhibition, elaborating on broader themes of visibility, use, time and effort. Drawing parallels in her own process with Overton’s implementation of raw, reused and reimagined materials within institutional contexts, Dooley used interpretations and anecdotes gathered from some of Overton’s pieces as catalysts, ventriloquising invisible characters indicated or imagined in the works.Listen to the except of the audio piece and transcription here. Co-curated with Christy O’Beirne.


	24 July 2022Goldsmiths Centre for Contemporary Art, London
 
	&#60;img width="1890" height="1259" width_o="1890" height_o="1259" data-src="https://freight.cargo.site/t/original/i/d5672423948fe970f432865e7fedadb224e1b54c814f5fddacb58cec460b7a60/FD_11_2.jpeg" data-mid="232764513" border="0"  src="https://freight.cargo.site/w/1000/i/d5672423948fe970f432865e7fedadb224e1b54c814f5fddacb58cec460b7a60/FD_11_2.jpeg" /&#62;&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/2c449fe3be1b056cd18fb72cb90d7afd5c432867d5c6f9c569d23a678a37408f/FD_4.jpeg" data-mid="232764514" border="0"  src="https://freight.cargo.site/w/1000/i/2c449fe3be1b056cd18fb72cb90d7afd5c432867d5c6f9c569d23a678a37408f/FD_4.jpeg" /&#62;Diamonds and Rust (2022) performance by Freya Dooley at Goldsmiths Centre for Contemporary Art. Courtesy of the artist. Photography by CCA team.

	
	Christie’s Education Lecture &#124; The Art of CuratingIn person and streamed online via ZoomCurator and writer Fatoş Üstek discussed the creative and theoretical implications of exhibition making and the professional path of freelance curating in conversation with NEXT at Christie’s curators Sasha Shevchenko and Pia Zeitzen [Kollektiv Collective].


	21 July 2022Christie’s, London
	&#60;img width="924" height="796" width_o="924" height_o="796" data-src="https://freight.cargo.site/t/original/i/834412bf19bd8368c53eefe5b327130ba7c25170a40e2cef516ae038c45c3b84/FatosUstek_photobyChristaHolka_fatos_u_stek.png" data-mid="232764516" border="0"  src="https://freight.cargo.site/w/924/i/834412bf19bd8368c53eefe5b327130ba7c25170a40e2cef516ae038c45c3b84/FatosUstek_photobyChristaHolka_fatos_u_stek.png" /&#62;Fatoş Üstek, portrait.

	
	We are the Body &#124; Performance by Rosie Broadhead, Kaivalya Brewerton &#38;amp; Chibuzor AdieleWhere does nature start and end in our body? Humans and their creations are considered somehow separate from other aspects of earthly existence. In ‘Are We the Body’, a polyphonic lecture emphasises the value of balance between our bodies within different environments. These are the environments we live in, who and what we surround ourselves with and who is living on us. Balance of our psychological, physical and environmental ecologies, microbial balance on our bodies and the balance of these human and nonhuman ‘inter and intra actions’. We are transcending this idea that we can revert back to mother nature. ‘Extended Synthesis’ is a tool to understand the body and its orientation and the way we think about physiological individuality.


	26 March 2022SET Woolwich, London
	&#60;img width="7346" height="5247" width_o="7346" height_o="5247" data-src="https://freight.cargo.site/t/original/i/9ce46ffb70fab818736bf67f48855c69a63de8d4b9c718e2745d24c9fe561055/NI7_4045.jpg" data-mid="232764512" border="0"  src="https://freight.cargo.site/w/1000/i/9ce46ffb70fab818736bf67f48855c69a63de8d4b9c718e2745d24c9fe561055/NI7_4045.jpg" /&#62;Installation View: I knock on your skin (24 March – 14 April 2022) at SET Woolwich, London. Courtesy of the curators and artists. Photography by Dominique Croshaw.

	2020
	New Light (2020) by Ellen BarrattPerformanceIn Genesis, the first sign of life is Light. Last in order of dismantling the myth,
Ellen Barratt’s New Light (2020) embodied an homage to light. The installation illuminated the curved, monumental wall behind the church’s altar, reacting to and with the space’s natural light balance. Barratt worked on the edge of
materiality, using New Light to construct an immersive experience.

	
7 March 2020Swiss Church, London

	&#60;img width="2668" height="4000" width_o="2668" height_o="4000" data-src="https://freight.cargo.site/t/original/i/b78794a62a50c5e70b866b01533641f1e8498b60b89505b0edb276333a69ca26/PV2.jpg" data-mid="181512461" border="0"  src="https://freight.cargo.site/w/1000/i/b78794a62a50c5e70b866b01533641f1e8498b60b89505b0edb276333a69ca26/PV2.jpg" /&#62;New Light, 2020, by Ellen Barratt: In Nihilum (2 – 8 Marcb 2020) at Swiss Church, London. Courtesy of Kollektiv Collective and the artists. Photography by Ellen Barratt.

	&#38;nbsp;
	O (2020) by Hannah ArchambaultPerformance
Symbolising the creation of Heaven and Atmosphere, Hannah Archambault’s
sound installation O (2020) resonated with the spiritual identity of the Swiss Church. As atmospheric sound moved through the space from one area to another and back, O acted as a guide to explore the space and an invitation to engage not only with our bodies but also our listening.
	5 March 2020Swiss Church, London

	&#60;img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/ef655a16771d30f05b514e011582ebc9e3640a06b80f608428a951b33964d214/4.jpg" data-mid="232764520" border="0"  src="https://freight.cargo.site/w/800/i/ef655a16771d30f05b514e011582ebc9e3640a06b80f608428a951b33964d214/4.jpg" /&#62;Swiss Church, photography by Hannah Archambault.

	
	Jasper Humpert: The creation of nature and its cannibalistic hybridsPerformance lectureThis lecture performance investigated the relationship of the human self and the natural other in order to understand a rapidly changing nature and the questions this poses to the human position. From the conception of a remembering earth in the swamps of Rio de Janeiro, to aero-terrestrial traumas in Eastern Germany’s summer fire blaze struck forests and engineering miracles on Dutch coastlines, the course we take in order to unravel the understanding of what (divinely human, humanely divine) creation means in the light of ecological devastation will seek answers in the surprising cosmologies of a cannibalistic self-situated human domain in ever-changing hybrid-natures. The other as incorporated enemy, the dependency of the substances to the relationships to one another, emergence as socio-climatic default setting, an ever-changing outlook on the landscapes of climate collapse – the creation and deconstruction of natures has never been as close to the human self as in this very moment.


	5 March 2020Swiss Church, London
	&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/fd79fac2137fe5a67acaf9a8b5756e168330311aee536fcf40d7b1fd444bd85d/7bd68e10-1283-4960-9855-92b8f2357a4f.JPG" data-mid="181571640" border="0"  src="https://freight.cargo.site/w/768/i/fd79fac2137fe5a67acaf9a8b5756e168330311aee536fcf40d7b1fd444bd85d/7bd68e10-1283-4960-9855-92b8f2357a4f.JPG" /&#62;Jasper Humpert, lecture as part of In Nihilum (2 – 8 March 2020) at Swiss Church, London. 

	
	You’re continuously rearranging yourself (2020) by Eloise LawsonPerformance
In this performance piece Eloise Lawson used the sea as a starting point for her piece, for its status as
the thing/place that connects us most powerfully to the behaviour and sensibility
of the moon, but also for the appeal of its inherent volatility and unknowability.You’re continuously rearranging yourself (2020) considered how the inbuilt
wavering or ambivalence of the sea might function as a metaphor for indecision
or not-knowing more generally.


4 March 2020Swiss Church, London

	&#60;img width="2416" height="1430" width_o="2416" height_o="1430" data-src="https://freight.cargo.site/t/original/i/018efc0a5e2bcdff55523c80837ecfc39e3f975244a9a9d5748b462e8638aa0d/Eloise-Lawson.-You-re-continuously-rearranging-yourself.-2020.-100.png" data-mid="181512191" border="0"  src="https://freight.cargo.site/w/1000/i/018efc0a5e2bcdff55523c80837ecfc39e3f975244a9a9d5748b462e8638aa0d/Eloise-Lawson.-You-re-continuously-rearranging-yourself.-2020.-100.png" /&#62;You’re continuously rearranging yourself (2020) by Eloise Lawson: In Nihilum (2 – 8 March 2020) at Swiss Church, London. Courtesy of the artist.

	
	Laura Moffatt, Roisin O’Sullican and Clara Maurer In ConversationThis lecture evening was dedicated to the intersection of religion and art. Laura Moffatt presented her Art in Churches projects that focus on forming partnerships to deliver contemporary art exhibitions in places of worship. Roisin O’Sullican talked about her research on the idea of creation and the role of feminism with a special emphasis on the female figure in myth. As vicar of the Swiss Church, Carla Maurer reflected on the 10 years of collaboration between the Church and Goldsmiths University.
	3 March 2020Swiss Church, London

	&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/9a4825a12c3b2ea11e49ffd054d3b089fa178e82b0a0d161e3fd99ba4c3d1c34/23661f00-4ada-4571-9580-58f59cfbef95.JPG" data-mid="181572029" border="0"  src="https://freight.cargo.site/w/768/i/9a4825a12c3b2ea11e49ffd054d3b089fa178e82b0a0d161e3fd99ba4c3d1c34/23661f00-4ada-4571-9580-58f59cfbef95.JPG" /&#62;Laura Moffatt, Roisin O’Sullican and Clara Maurer in conversation as part of In Nihilum (2 – 8 March 2020) at Swiss Church, London. Courtesy of Kollektiv Collective and the artists.

	
	Unformed (2020) by Luke Jordan Performance
Luke Jordan’s practice speculates upon the ontological relationship between the human and non-human, materialist and non-materialist metaphysics and beyond, through the psycho-physical process of creation, immersion, and fatal meetings between objects / entities, approaching ontological destabilisation and disintegration. He conducts direct experiments, merging art forms within sites of performance and installation, which are conceived as laboratories, testing grounds for the poetic inter-relationship of entities, and their spectres; be they, a human, dirt, words, a mattress, a sculpture, a room, a sound etc.As God created men last, In Nihilum featured Luke Jordan’s performance&#38;nbsp;Unformed&#38;nbsp;(200) to initiate the process of deconstruction. By creating ambiguous
formations of sculpture, installation and sound, Jordan’s performance created a
multi-layered speculative world, commenting on the creation of humankind and
our material world.
	2 March 2020Swiss Church, London
	&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/babbd02e2aab8ecdca633c5b6dc0c86b9254277b83e11f770690e28c3793d524/IMG_3372.jpg" data-mid="181511929" border="0"  src="https://freight.cargo.site/w/1000/i/babbd02e2aab8ecdca633c5b6dc0c86b9254277b83e11f770690e28c3793d524/IMG_3372.jpg" /&#62;
Unformed, 2020, performance by Luke Jordan: In Nihilum (2 – 8 March 2020) at Swiss Church, London. Courtesy of Kollektiv Collective and the artists.
</description>
		
	</item>
		
		
	<item>
		<title>Writing</title>
				
		<link>https://kollektivcollective.info/Writing</link>

		<pubDate>Thu, 08 Jun 2023 19:14:31 +0000</pubDate>

		<dc:creator>Kollektiv Collective</dc:creator>

		<guid isPermaLink="true">https://kollektivcollective.info/Writing</guid>

		<description>Look at the Lights, My LoveAs hope gets wrapped in plastic, it gains a physicality prone to decay, its price no longer a metaphor, and the sacrifice no longer heroic. Narrating her observations in a superstore in the outskirts of Paris, Ernaux traces how mundane individual routines bleed into larger societal frameworks, rehearsing the ritual of and the disillusionment with consumption. Arcades like superstores, basic need and aspirational desire conjure into a messy materialism that leaves the shop and returns home with us.
Read here. 
	Teaspoon ProjectsExhibition text 
September 2025
	&#60;img width="1874" height="1268" width_o="1874" height_o="1268" data-src="https://freight.cargo.site/t/original/i/cdf96047b6156b6c54c3e0e1d2d3c26c2a8f86a70c8f35227bb2b50ef2f977b5/ttt.png" data-mid="238838071" border="0" data-scale="75" src="https://freight.cargo.site/w/1000/i/cdf96047b6156b6c54c3e0e1d2d3c26c2a8f86a70c8f35227bb2b50ef2f977b5/ttt.png" /&#62;Tired of Being Tired?
The polarisation of political thought resulted in a counterintuitive case of minus minus equals plus, where the language that provided a given ideology with its form, suddenly becomes interchangeable and feels at home on all sides. The more polarised language is, the more fluid it becomes. Then, almost naturally, linguistic fluidity flows both ways: it can be, and has been, a powerful tool of resistance to hegemonic structures; and at the same time, it can give way to dangerous, slippery slopes of rhetorics. Constants melting away, “fluids neither fix space nor bind time. Fluids do not keep to any shape for long and are constantly ready and prone to change it.” (Zygmunt Bauman, 2000). As language undermines the solid grasp of patriarchy, white supremacy and neocolonialism, the very linguistic tools of resistance become liquified as well, appropriated and distorted.
Read here. 
	Something CuratedJune 2025
	&#60;img width="2084" height="1370" width_o="2084" height_o="1370" data-src="https://freight.cargo.site/t/original/i/4b605b7a9fcdf44b4aa090a88cd04c6f2a5e75d424f103c2c3b2af09fc2919f2/Screenshot-2025-06-16-at-17.49.29.png" data-mid="234652671" border="0"  src="https://freight.cargo.site/w/1000/i/4b605b7a9fcdf44b4aa090a88cd04c6f2a5e75d424f103c2c3b2af09fc2919f2/Screenshot-2025-06-16-at-17.49.29.png" /&#62;Linnea SkoglösaKC:&#38;nbsp;Your practice exhibits such great command of working with space – the way you situate your work within a given context, the entire surrounding becomes part of your work in a scenographic, almost holistic way. Could you tell us about your approach to making a given space your own?LS: The architecture works with the objects, one informs the other. That’s why I get excited about making installations when I know the space in advance. I often work with mockups, mapping things out and imagining the space as a unified whole. There is definitely a scenographic quality to how I work, but I’m not building a set, I’m building a situation. A kind of spatial consciousness.
Read here. 
	YAC 
May 2025
	&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/bfc29a9a46d03bf22f55409befbde474ea01baa95ffea67af994aa0acc96b803/Linnea-Skoglosa--portrait.-Photography-by-Johan-Manuel-de-Mora.-Image-courtesy-of-the-artist..jpg" data-mid="233510450" border="0"  src="https://freight.cargo.site/w/1000/i/bfc29a9a46d03bf22f55409befbde474ea01baa95ffea67af994aa0acc96b803/Linnea-Skoglosa--portrait.-Photography-by-Johan-Manuel-de-Mora.-Image-courtesy-of-the-artist..jpg" /&#62;Linnea Skoglösa, portrait. Photography by Johan Manuel de Mora. Image courtesy of the artist.Of course I know eternity: catalogue essayAlways out of reach, ‘eternity’ as a concept calls forth the existential distress of not being able to pin down the present, thereby becoming an abstraction that supersedes the dichotomy of past and future. Lost in a loop of historical events – despite the decades passed and lessons learned – Of course I know eternity faces the anxiety carried through generations, which results from the uncertainty that hope always holds within. The expectation of a bright tomorrow, time and again not met by reality, formulates a criticality that cuts through the noise of rhetorics. To render eternity – a concept that is impossible to comprehend, fully grasp and visually articulate – iconographic is to put forth a paradox that can displace the authority that once determined time as linear, and reality as singular.
&#38;nbsp;
Read here. 
	Catalogue essay for&#38;nbsp;Of course I know eternity: Wilhelm Traeger + Gray Wielebinski (8 May – 18 July 2025), at the Austrian Cultural Forum London
May 2025
	&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/505653c19d832168ceda3e4c9fb9ff97776c8085de1e12091c45ed63a2386b0f/G_W_080525WEBRES_07.jpg" data-mid="232995975" border="0"  src="https://freight.cargo.site/w/1000/i/505653c19d832168ceda3e4c9fb9ff97776c8085de1e12091c45ed63a2386b0f/G_W_080525WEBRES_07.jpg" /&#62;
Installation view: Of course I know eternity: Wilhelm Traeger + Gray Wielebinski (8 May – 18 July 2025), curated by Kollektiv Collective at the Austrian Cultural Forum London. Photography by Gillies Adamson Semple. Third Floor Right, 2: A Case For And Against Constrained Art-Making
Given the lack of appropriate studio spaces, finances, time and security characterising the current cultural landscape, many artistic and curatorial decisions are the result of the logistical considerations we face in developing our work. As such, artworks and exhibitions emerge from the restrictions – both the obvious and the unseen – we did not choose. Paying closer attention to that which seemingly hinders our ambition through the lens of the Oulipian method of constrained writing, restriction becomes a medium, a tool, a rebel with a cause. If we apply the method of self-imposed constraints to those of external, structural nature, can we borrow the sensation of freedom that the said method carries within?
Read here. 
	Glimpse Magazine 
December 2024

	&#60;img width="2015" height="1654" width_o="2015" height_o="1654" data-src="https://freight.cargo.site/t/original/i/f629efae61a9936105d46b9a95ced98f80b7cbb3cdb7866e4d8870fe039045e8/FxKtvn1XoAARdvn.jpeg" data-mid="223728843" border="0"  src="https://freight.cargo.site/w/1000/i/f629efae61a9936105d46b9a95ced98f80b7cbb3cdb7866e4d8870fe039045e8/FxKtvn1XoAARdvn.jpeg" /&#62;The Flying Komarov (Album of 32 Drawings) (1970s) by Ilya Kabakov.
Y2K Nostalgia: With Love From Athen Kardashian &#38;amp; Nina Mhach Durban

Decorating your childhood bedroom with stickers, posters and magazine-cutouts is the earliest memory of home-making for many. It’s an exercise you return to as you move flats, change cities, countries, personalise work spaces, studios, and, in the present case, stage an exhibition adjacent to one of London’s most prestigious commercial art galleries. In 04). I’m Not A Girl, Not Yet A Woman, Kardashian and Mhach Durban bring their homes with them, performing the familiar task of placing trinkets, sticking shiny golden stars and sharing their favourite CDs and DVDs.&#38;nbsp;
Read here.&#38;nbsp;
	Plinth Magazine
December 2024

	&#60;img width="3402" height="2269" width_o="3402" height_o="2269" data-src="https://freight.cargo.site/t/original/i/e15fc2079664e3169733e997efdbd685a687adc0ced20e83d61671a27ab27308/Athen-Kardashian---Nina-Mhach-Durban---04.-Im-Not-A-Girl--Not-Yet-A-Woman---Soup-at-The-Shop--Sadie-Coles-HQ-2-1.jpeg" data-mid="223321416" border="0"  src="https://freight.cargo.site/w/1000/i/e15fc2079664e3169733e997efdbd685a687adc0ced20e83d61671a27ab27308/Athen-Kardashian---Nina-Mhach-Durban---04.-Im-Not-A-Girl--Not-Yet-A-Woman---Soup-at-The-Shop--Sadie-Coles-HQ-2-1.jpeg" /&#62;Athen Kardashian &#38;amp; Nina Mhach Durban - 04.) I’m Not A Girl, Not Yet A Woman - Soup at The Shop, Sadie Coles HQ.
Louis Blue Newby &#38;amp; Laila Majid

For METAL, Kollektiv Collective discuss with the duo the tension amidst addition and erasure, formalism and intimacy, private and public spheres, revealed in the hazy, playfully evasive texture of their drawings. In a durational, complex exercise of layering and processing digital imagery, repetition becomes an act of mediating and destabilising surfaces and appearances. Also, as a way for the two pairs of hands to work indistinguishably as one, repetition re-contextualises source material, collapsing temporalities and techniques and altering perceptions in the process. Visit Inner Heat on view at Goldsmiths CCA until 12 January 2025.
Read&#38;nbsp;here. 

	METAL Magazine
November 2024

	&#60;img width="2394" height="1574" width_o="2394" height_o="1574" data-src="https://freight.cargo.site/t/original/i/27e0e83adca75d8754bdb67372edb645e480a7b8061c334408cb08c495b9371f/Screenshot-2024-12-13-at-17.21.42.png" data-mid="223320449" border="0"  src="https://freight.cargo.site/w/1000/i/27e0e83adca75d8754bdb67372edb645e480a7b8061c334408cb08c495b9371f/Screenshot-2024-12-13-at-17.21.42.png" /&#62;
	Nothing Concrete: A Case Against Perfect Cities

Transit through infrastructure is pre-planned by others, so well that the design is barely noticeable, in perfect adherence to the behavioural anticipations of those in charge. Following in predetermined footsteps creates a sort of comfort that quickly turns unnerving, as theories on control and surveillance inherent in urban planning await right around the corner, closely followed by those of science fiction. The city becomes a perfect maze, one that is almost too easy to navigate. Unsettling in its accessibility, it is a maze nonetheless.Read&#38;nbsp;here. 

	Something Curated November 2024

	&#60;img width="2070" height="1432" width_o="2070" height_o="1432" data-src="https://freight.cargo.site/t/original/i/1cbf7bac2da5944fd244f30a2fa5bcf96a7a2cdd8f40cca324b57ea48b271a3d/Screenshot-2024-12-13-at-17.36.21.png" data-mid="223321766" border="0"  src="https://freight.cargo.site/w/1000/i/1cbf7bac2da5944fd244f30a2fa5bcf96a7a2cdd8f40cca324b57ea48b271a3d/Screenshot-2024-12-13-at-17.36.21.png" /&#62;

	Nothing New: Exhibition-making Against the Myth of Novelty&#38;nbsp;

Space is often treated as a given entity, a set parameter that one may accept or reject, but never truly shape. Albeit entirely abstract, vocabulary around “space” is frequently employed towards utilitarian ends, so much so that its simultaneously undefined and open-ended character is disguised. To reclaim space, assume responsibility that comes with guardianship and make it our own would presuppose our command of said entity.&#38;nbsp;Read&#38;nbsp;here. 

	
Something Curated January 2024

	&#60;img width="2164" height="1486" width_o="2164" height_o="1486" data-src="https://freight.cargo.site/t/original/i/32cbffc6f16cb036fac7e488e68c7665c0dea4f70f32eaabaa2bae9eabbbc10c/Screenshot-2024-12-13-at-17.36.51.png" data-mid="223321838" border="0"  src="https://freight.cargo.site/w/1000/i/32cbffc6f16cb036fac7e488e68c7665c0dea4f70f32eaabaa2bae9eabbbc10c/Screenshot-2024-12-13-at-17.36.51.png" /&#62;

	
On the Baadar-Meinhof Phenomenon, Accidents, and Spilled InkRepetition, chances of an encounter, accidents and convincing coincidences. My personal case of the Baader-Meinhof phenomenon is, unironically, learning about accidents and convincing coincidences. It is a puzzling predicament, studying the development of art history, or any history, analysing the blend of colours, the choice of structure, and not fully appreciating the essential accident, or the essential restriction, that produced what we now consider a ‘genius’.

Read&#38;nbsp;here.&#38;nbsp;

	
The Art Columnist
2021

	&#60;img width="1622" height="1232" width_o="1622" height_o="1232" data-src="https://freight.cargo.site/t/original/i/0ba482796f2f6da954b04c3b2e6c0b0c180978f767805045addf784415f09659/Screenshot-2023-06-08-at-20.19.34.png" data-mid="181509137" border="0"  src="https://freight.cargo.site/w/1000/i/0ba482796f2f6da954b04c3b2e6c0b0c180978f767805045addf784415f09659/Screenshot-2023-06-08-at-20.19.34.png" /&#62;Sleeping Woman (1929) by Man Ray. Gelatin silver print (solarized), 16.5 × 21.6 cm. © 2023 Man Ray Trust / Artists Rights Society (ARS), New York / ADAGP, Paris.


</description>
		
	</item>
		
		
	<item>
		<title>News</title>
				
		<link>https://kollektivcollective.info/News</link>

		<pubDate>Thu, 21 Aug 2025 09:53:31 +0000</pubDate>

		<dc:creator>Kollektiv Collective</dc:creator>

		<guid isPermaLink="true">https://kollektivcollective.info/News</guid>

		<description>
	PAST
	OPEN CALL FOR EMERGING ARTISTS
Exhibition co-organised by the European Parliament Liaison Office in the UK and the Embassy of Denmark in the UK, curated by Kollektiv Collective.
See eligibility and submission guidlines here.&#38;nbsp;
	&#60;img width="2250" height="2813" width_o="2250" height_o="2813" data-src="https://freight.cargo.site/t/original/i/ebfeb836e03a44646ba924371de2a3b340c366f371445e44de0b338f3f624a34/Open-Call-Europe-House-2025_Slide-1_final.jpg" data-mid="237274706" border="0"  src="https://freight.cargo.site/w/1000/i/ebfeb836e03a44646ba924371de2a3b340c366f371445e44de0b338f3f624a34/Open-Call-Europe-House-2025_Slide-1_final.jpg" /&#62;


	FA RAZAVI: FINALIST OF THE ACS STUDIO PRIZE&#38;nbsp;ACS Studio Prize 2025 Finalists Announced!
Now in its ninth year, the&#38;nbsp;ACS Studio Prize&#38;nbsp;offers one student or recent graduate a £6,000 Prize to help fund an artist's studio in a UK city of their choice.

This year’s judges were Victoria Miro, Melanie Gerlis, Hester Westley and the Chairman of ACS, Harriet Bridgeman.


From the 22 shortlisted artists, the judges selected Camila Barvo, Royal College of Art, Georgia Dymock, Slade School of Fine Art, Harriet Gillett, City &#38;amp; Guilds of London Art School, Fa Razavi, Middlesex University, and Afonso Rocha, City &#38;amp; Guilds of London Art School, to progress to the final round of this year’s Prize.


The overall winner of the ACS Studio Prize will be announced on Tuesday 16 September 2025.

	&#60;img width="1179" height="1561" width_o="1179" height_o="1561" data-src="https://freight.cargo.site/t/original/i/c621a9bad95f85969f35fe4440d59b8d9b18caa823e1704145be169759f57e27/IMG_65EA094C470D-1.jpeg" data-mid="237424804" border="0"  src="https://freight.cargo.site/w/1000/i/c621a9bad95f85969f35fe4440d59b8d9b18caa823e1704145be169759f57e27/IMG_65EA094C470D-1.jpeg" /&#62;
	CURATORIAL ETHICS NETWORK We are excited to join the Curatorial Ethics Network! Founded by Dr Gabrielle Barkess-Kerr, the Curatorial Ethics Network focuses on integrity, accountability, and inclusivity within the global art ecosystem. Their mission is to operate as a community focused on contemporary art curation, navigating the ethical complexities of contemporary art and curatorial practices by engaging in dialogue, research, and collaborative frameworks.

	&#60;img width="790" height="906" width_o="790" height_o="906" data-src="https://freight.cargo.site/t/original/i/736fdf54d41c294dfc59b68cf82c80c4b1844016a53d6189bda5bee25391bf1f/Screenshot-2025-08-25-at-09.28.57.png" data-mid="237423947" border="0"  src="https://freight.cargo.site/w/790/i/736fdf54d41c294dfc59b68cf82c80c4b1844016a53d6189bda5bee25391bf1f/Screenshot-2025-08-25-at-09.28.57.png" /&#62;
	UK-BASED CURATORS TO VISIT THE HELSINKI BIENNIAL 2025Kollektiv Collective (Pia Zeitzen and Sasha Shevchenko), Deborah Smith, Cliff Lauson and Aliyah Hasinah to visit Helsinki Biennial 2025 preview from the 5-7 June.Finnish Institute in the UK and Ireland is supporting five UK-based curators Kollektiv Collective (Pia Zeitzen and Sasha Shevchenko),&#38;nbsp;Deborah Smith,&#38;nbsp;Cliff Lauson&#38;nbsp;and&#38;nbsp;Aliyah Hasinah&#38;nbsp;to visit Helsinki Biennial 2025 preview from the 5-7 June. As part of our ongoing professional visitor programme, the Institute supports visits by cultural and arts professionals from the UK and Ireland to Finland and vice versa to strengthen international networks and launch new collaborative projects. These curator visits are organised in collaboration with Frame Contemporary Art Finland and Helsinki Biennial.

	&#60;img width="1132" height="1198" width_o="1132" height_o="1198" data-src="https://freight.cargo.site/t/original/i/9d35d2e27c68ea66c4162932f9139c99bfed14a913410cfd306fd8d1a1520e35/Screenshot-2025-08-25-at-09.25.50.png" data-mid="237423929" border="0"  src="https://freight.cargo.site/w/1000/i/9d35d2e27c68ea66c4162932f9139c99bfed14a913410cfd306fd8d1a1520e35/Screenshot-2025-08-25-at-09.25.50.png" /&#62;
	GUIDE FOR CURATORS AND ARTISTS&#38;nbsp;Excited to have contributed to Follow.Art’s Guide for Curators and Artists!

	&#60;img width="1179" height="1453" width_o="1179" height_o="1453" data-src="https://freight.cargo.site/t/original/i/58d4a23958382fb8e16f0c2ca2bc8ee15480619d56687c8072a2e9861771fe3a/IMG_2357.jpg" data-mid="237423986" border="0"  src="https://freight.cargo.site/w/1000/i/58d4a23958382fb8e16f0c2ca2bc8ee15480619d56687c8072a2e9861771fe3a/IMG_2357.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Press</title>
				
		<link>https://kollektivcollective.info/Press</link>

		<pubDate>Tue, 06 Jun 2023 19:20:34 +0000</pubDate>

		<dc:creator>Kollektiv Collective</dc:creator>

		<guid isPermaLink="true">https://kollektivcollective.info/Press</guid>

		<description>

	&#60;img width="262" height="65" width_o="262" height_o="65" data-src="https://freight.cargo.site/t/original/i/e71b8b0c010b15c8248cdbd67011272479f61901f686a13a83077660e734e054/Artviewer-logo-286x300.png" data-mid="247001994" border="0"  src="https://freight.cargo.site/w/262/i/e71b8b0c010b15c8248cdbd67011272479f61901f686a13a83077660e734e054/Artviewer-logo-286x300.png" /&#62;
Vertigo (Disambiguation) at Galería Gato, Lima. See here.&#38;nbsp;


&#60;img width="1000" height="250" width_o="1000" height_o="250" data-src="https://freight.cargo.site/t/original/i/242cdf200d3a6bf73f4587c48806e1ba819e14ad108a0311e3b01f57eb6cff92/Logo_Caretas.png" data-mid="247001968" border="0" data-scale="59" src="https://freight.cargo.site/w/1000/i/242cdf200d3a6bf73f4587c48806e1ba819e14ad108a0311e3b01f57eb6cff92/Logo_Caretas.png" /&#62;Kollektiv Collective lee la ciudad desde Galería Gato. Read here. Ali Glover y la ciudad invertida. Read here. 


Goldsmiths MFA Curating Alumni Interview. Read here.

&#60;img width="1072" height="593" width_o="1072" height_o="593" data-src="https://freight.cargo.site/t/original/i/4deabec1ea830c18085ca1a3ece80ef03eb56b64a36642f64d59072888f8127c/342560007_3118153658494087_8503824901454893283_n.jpg" data-mid="236492860" border="0" data-scale="29" src="https://freight.cargo.site/w/1000/i/4deabec1ea830c18085ca1a3ece80ef03eb56b64a36642f64d59072888f8127c/342560007_3118153658494087_8503824901454893283_n.jpg" /&#62;Floorr MagazAli Glover. Read here.

&#60;img width="250" height="250" width_o="250" height_o="250" data-src="https://freight.cargo.site/t/original/i/6c1f72e564562255f1cfb4307295f3a8c191fe8c5d672197c15e5848100b06d0/8014c57d-018c-476c-a557-a1f977558621-ezgif.com-webp-to-png-converter.png" data-mid="235277517" border="0" data-scale="25" src="https://freight.cargo.site/w/250/i/6c1f72e564562255f1cfb4307295f3a8c191fe8c5d672197c15e5848100b06d0/8014c57d-018c-476c-a557-a1f977558621-ezgif.com-webp-to-png-converter.png" /&#62;Les Nouveaux Riches. Interview:&#38;nbsp;Of course I know eternity. Read&#38;nbsp;here.

&#60;img width="51" height="59" width_o="51" height_o="59" data-src="https://freight.cargo.site/t/original/i/a2c44ea3bb9f1a9477ed9341832344aa7012c0782bc78c73c33d46cbce638e17/logo.svg" data-mid="219884641" border="0" data-scale="100" src="https://freight.cargo.site/w/51/i/a2c44ea3bb9f1a9477ed9341832344aa7012c0782bc78c73c33d46cbce638e17/logo.svg" /&#62;
Saliva Live, Tired of Being Tired (?). See here.

&#60;img width="885" height="263" width_o="885" height_o="263" data-src="https://freight.cargo.site/t/original/i/c8ad90e47f0a8f22c199a6d48d3157388bc5f26150ed8e54ae77af06021db5b2/Arts-Hub.png" data-mid="234502424" border="0" data-scale="44" src="https://freight.cargo.site/w/885/i/c8ad90e47f0a8f22c199a6d48d3157388bc5f26150ed8e54ae77af06021db5b2/Arts-Hub.png" /&#62;
Arts Hub UK. Of course I know eternity: Wilhelm Traeger + Gray Wielebinski. See here.

&#60;img width="616" height="111" width_o="616" height_o="111" data-src="https://freight.cargo.site/t/original/i/a22ce6814a4261530d58ab2e2ddcf96ff4291ccfa1d45988e2d9c8d535244380/OOEN_Logo.png" data-mid="233708847" border="0" data-scale="47" src="https://freight.cargo.site/w/616/i/a22ce6814a4261530d58ab2e2ddcf96ff4291ccfa1d45988e2d9c8d535244380/OOEN_Logo.png" /&#62;
Wilhelm Traeger: Die Collagen eines Künstlers im Labyrinth der Zeit.&#38;nbsp;See here.&#60;img width="300" height="152" width_o="300" height_o="152" data-src="https://freight.cargo.site/t/original/i/a4b420e959f8341c6a10c7b66f3d90c2bd379c370046de1e1562ab98dcde2bb1/austria_int-2-300x152.png" data-mid="233708748" border="0" data-scale="52" src="https://freight.cargo.site/w/300/i/a4b420e959f8341c6a10c7b66f3d90c2bd379c370046de1e1562ab98dcde2bb1/austria_int-2-300x152.png" /&#62;Of course I know eternity / Kulturforum London.&#38;nbsp;See here.
&#60;img width="1088" height="240" width_o="1088" height_o="240" data-src="https://freight.cargo.site/t/original/i/3c0541de5dbb4b2f16eb354f995978b83f9a7d0e34bde5292f6ad1ad1feca1c7/cta_logo_header_032x.png" data-mid="233708736" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/3c0541de5dbb4b2f16eb354f995978b83f9a7d0e34bde5292f6ad1ad1feca1c7/cta_logo_header_032x.png" /&#62;
Of course I know eternity / Österreichisches Kulturforum London.&#38;nbsp;See here.


&#60;img width="445" height="81" width_o="445" height_o="81" data-src="https://freight.cargo.site/t/original/i/3265e12b112549018ca494cecfdf2fb68fa0599c7bdcbcdfbe3c946c888fea89/image-2.png" data-mid="234502358" border="0" data-scale="49" src="https://freight.cargo.site/w/445/i/3265e12b112549018ca494cecfdf2fb68fa0599c7bdcbcdfbe3c946c888fea89/image-2.png" /&#62;
PAPER, May's Must-See Art Shows in NYC and Beyond. See here.
&#60;img width="219" height="44" width_o="219" height_o="44" data-src="https://freight.cargo.site/t/original/i/85fbabb18af055f5f05b7d60136a50ff8ef0149f383ac2f6d49b60333e5cfe4d/newbetalogo_01.png" data-mid="232764285" border="0" data-scale="36" src="https://freight.cargo.site/w/219/i/85fbabb18af055f5f05b7d60136a50ff8ef0149f383ac2f6d49b60333e5cfe4d/newbetalogo_01.png" /&#62;Canvas, Fa Razavi: Opera Rose. See here.


&#60;img width="360" height="58" width_o="360" height_o="58" data-src="https://freight.cargo.site/t/original/i/924443693905e744367ffe1bca1a3022af51d820e4ab8f57d1c546f8b0a615ef/observer.png" data-mid="229548740" border="0" data-scale="47" src="https://freight.cargo.site/w/360/i/924443693905e744367ffe1bca1a3022af51d820e4ab8f57d1c546f8b0a615ef/observer.png" /&#62;
Observer, Don’t Miss Fa Razavi’s Defiant Debut at Palo Gallery. See here.
&#60;img width="216" height="60" width_o="216" height_o="60" data-src="https://freight.cargo.site/t/original/i/4beab317e237bbd29996256332227eab3d6194a2e3a26bbe68a7a26a0d8bb92e/Screenshot-2024-11-13-at-15.15.11.png" data-mid="221693345" border="0" data-scale="36" src="https://freight.cargo.site/w/216/i/4beab317e237bbd29996256332227eab3d6194a2e3a26bbe68a7a26a0d8bb92e/Screenshot-2024-11-13-at-15.15.11.png" /&#62;

YYYYMMDD,&#38;nbsp;nothing concrete by Ali Glover at Inspection Pit. See here.&#60;img width="1904" height="531" width_o="1904" height_o="531" data-src="https://freight.cargo.site/t/original/i/40a1c9ce7e70951a90a367c1b76de433121d26327e1fb5967cdabb9264136586/sussex-express.png" data-mid="220368864" border="0" data-scale="39" src="https://freight.cargo.site/w/1000/i/40a1c9ce7e70951a90a367c1b76de433121d26327e1fb5967cdabb9264136586/sussex-express.png" /&#62;SUSSEX EXPRESS, nothing concrete by Ali Glover. See here.
&#60;img width="543" height="120" width_o="543" height_o="120" data-src="https://freight.cargo.site/t/original/i/639781593f02057e6cf965d6646275d1061fcdbbca28d40d542c5c12022fa5b2/sdgdsfg.png" data-mid="219884895" border="0" data-scale="43" src="https://freight.cargo.site/w/543/i/639781593f02057e6cf965d6646275d1061fcdbbca28d40d542c5c12022fa5b2/sdgdsfg.png" /&#62;
KUBAPARIS, IceBlink Luck at Generation &#38;amp; Display curated by Kollektiv Collective. See here.
&#60;img width="51" height="59" width_o="51" height_o="59" data-src="https://freight.cargo.site/t/original/i/a2c44ea3bb9f1a9477ed9341832344aa7012c0782bc78c73c33d46cbce638e17/logo.svg" data-mid="219884641" border="0" data-scale="100" src="https://freight.cargo.site/w/51/i/a2c44ea3bb9f1a9477ed9341832344aa7012c0782bc78c73c33d46cbce638e17/logo.svg" /&#62;
Saliva Live, IceBlink Luck at Generation &#38;amp; Display curated by Kollektiv Collective. See here. 
&#60;img width="1736" height="861" width_o="1736" height_o="861" data-src="https://freight.cargo.site/t/original/i/e6980aeece61be44fdbb0fbff5af443b7f968795c400e8b47516853dfaa90587/feychc_.png" data-mid="219801837" border="0" data-scale="42" src="https://freight.cargo.site/w/1000/i/e6980aeece61be44fdbb0fbff5af443b7f968795c400e8b47516853dfaa90587/feychc_.png" /&#62;FETCH Magazine, Post-ironic Femininity Rules In The Tumblr-esque Fever Dream Of 'Obsidian Upset'. Read here.
&#60;img width="1781" height="494" width_o="1781" height_o="494" data-src="https://freight.cargo.site/t/original/i/ebbf9d042bb6cc6acde72935f28c6393205d0695b7727c211f0c6bfa40e4fa7e/another.png" data-mid="219800632" border="0" data-scale="58" src="https://freight.cargo.site/w/1000/i/ebbf9d042bb6cc6acde72935f28c6393205d0695b7727c211f0c6bfa40e4fa7e/another.png" /&#62;
AnOther Magazine, This Exhibition Explores the Sinister Side of Being a Girl Online.&#38;nbsp;Read here.

&#60;img width="459" height="114" width_o="459" height_o="114" data-src="https://freight.cargo.site/t/original/i/7ac3a5a06a6983c368292b7d5839166467f298b8705a246d4ed44f22a1d58e4a/a3a3167c-7da0-416b-8f16-f9db471289a6.png" data-mid="219801905" border="0" data-scale="54" src="https://freight.cargo.site/w/459/i/7ac3a5a06a6983c368292b7d5839166467f298b8705a246d4ed44f22a1d58e4a/a3a3167c-7da0-416b-8f16-f9db471289a6.png" /&#62;
Dazed, This exhibition is a Tumblr-inspired, neo-noir tale of modern girlhood. Read here.&#38;nbsp;

&#60;img width="1843" height="274" width_o="1843" height_o="274" data-src="https://freight.cargo.site/t/original/i/47bcd5741d451c8517b39405b8ff2f4b33fe52f552af3de294505dbe31a713cc/gffdg.png" data-mid="220368998" border="0" data-scale="83" src="https://freight.cargo.site/w/1000/i/47bcd5741d451c8517b39405b8ff2f4b33fe52f552af3de294505dbe31a713cc/gffdg.png" /&#62;
émergent magazine, things fall apart; the centre cannot hold at Tabula Rasa Gallery.&#38;nbsp;Read here.


Sticky Teeth, Micro-interview with Kollektiv Collective. Read here.&#38;nbsp;

&#60;img width="1750" height="555" width_o="1750" height_o="555" data-src="https://freight.cargo.site/t/original/i/9fcd6082133e0f1b9509947f282626ebde7cef1a98ef310d92a3288515a92746/cucu.png" data-mid="219801672" border="0" data-scale="61" src="https://freight.cargo.site/w/1000/i/9fcd6082133e0f1b9509947f282626ebde7cef1a98ef310d92a3288515a92746/cucu.png" /&#62;
Curatorial Affairs, On Site: An Interview with Kollektiv Collective. Read here.&#38;nbsp;

&#60;img width="1195" height="425" width_o="1195" height_o="425" data-src="https://freight.cargo.site/t/original/i/851094070272e192fdd26ec0bbfaf7c5d12f4576b9b43e28c80e9208adc4b839/wtf.png" data-mid="219801924" border="0" data-scale="40" src="https://freight.cargo.site/w/1000/i/851094070272e192fdd26ec0bbfaf7c5d12f4576b9b43e28c80e9208adc4b839/wtf.png" /&#62;
Where’s The Frame (wtf?), In Conversation with Curatorial Duo Kollektiv Collective. Read here.

&#60;img width="1027" height="345" width_o="1027" height_o="345" data-src="https://freight.cargo.site/t/original/i/d8f49a6d6b02e3d9e7d2cf671999bd9f312842d6d2768614d966075c2c068901/afi.png" data-mid="219802402" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/d8f49a6d6b02e3d9e7d2cf671999bd9f312842d6d2768614d966075c2c068901/afi.png" /&#62;Afisha London,&#38;nbsp;Exhibition curated by Kollektiv Collective. Read here.


&#60;img width="1878" height="233" width_o="1878" height_o="233" data-src="https://freight.cargo.site/t/original/i/57d2d3ea39424660f80d1f35c8fbd4f36a21048a37f11e09d715b92fe4bf0aac/xties.png" data-mid="219801721" border="0" data-scale="58" src="https://freight.cargo.site/w/1000/i/57d2d3ea39424660f80d1f35c8fbd4f36a21048a37f11e09d715b92fe4bf0aac/xties.png" /&#62;
Interview with Christie’s ahead of the opening of&#38;nbsp;un/sense. Read&#38;nbsp;here.


&#60;img width="1887" height="450" width_o="1887" height_o="450" data-src="https://freight.cargo.site/t/original/i/d632a215efea739f05167ccaee65b993d6241ffe018a1279584b6455cf7f5112/salla.png" data-mid="219801686" border="0" data-scale="53" src="https://freight.cargo.site/w/1000/i/d632a215efea739f05167ccaee65b993d6241ffe018a1279584b6455cf7f5112/salla.png" /&#62;
Salon Privé Magazine, Next At Christie’s: London 2022, An Exhibition Of Work By The Next Generation Of Artists. Read here. 
 
&#60;img width="150" height="150" width_o="150" height_o="150" data-src="https://freight.cargo.site/t/original/i/8bf067b53a62d19da038170b887354f77b5fecf745b19b6a5be074308d16b995/logo150.png" data-mid="219802586" border="0" data-scale="19" src="https://freight.cargo.site/w/150/i/8bf067b53a62d19da038170b887354f77b5fecf745b19b6a5be074308d16b995/logo150.png" /&#62;
SFF Magazine, Christie’s explores the reality of the post-pandemic world.&#38;nbsp;Read&#38;nbsp;here.

&#60;img width="1104" height="301" width_o="1104" height_o="301" data-src="https://freight.cargo.site/t/original/i/93a78142f885181c113adbd444a737515da4b69c8e7f64ca6a349722115c32d8/lkg.png" data-mid="219801728" border="0" data-scale="58" src="https://freight.cargo.site/w/1000/i/93a78142f885181c113adbd444a737515da4b69c8e7f64ca6a349722115c32d8/lkg.png" /&#62;
 Art.Salon, Auction house supports young creatives with exhibition. Read here.&#38;nbsp;
&#60;img width="1878" height="233" width_o="1878" height_o="233" data-src="https://freight.cargo.site/t/original/i/57d2d3ea39424660f80d1f35c8fbd4f36a21048a37f11e09d715b92fe4bf0aac/xties.png" data-mid="219801721" border="0" data-scale="66" src="https://freight.cargo.site/w/1000/i/57d2d3ea39424660f80d1f35c8fbd4f36a21048a37f11e09d715b92fe4bf0aac/xties.png" /&#62;

Christie’s press announcement, NEXT at Christie’s: London 2022. Read here.
Not yet an (Art) Expert,&#38;nbsp;[Exhibition/London] Un/Sense @ Christie's Christie's London. Read here.

&#60;img width="1836" height="613" width_o="1836" height_o="613" data-src="https://freight.cargo.site/t/original/i/423caeb1bf9f7083d5cbbe71a07070baf8faeb17a9868c2db3ce4a5146455eae/posta.png" data-mid="219802364" border="0" data-scale="52" src="https://freight.cargo.site/w/1000/i/423caeb1bf9f7083d5cbbe71a07070baf8faeb17a9868c2db3ce4a5146455eae/posta.png" /&#62;
Posta Magazine, Creation of the world in reverse: London exhibition, by the end of which there was no art work left in the space.&#38;nbsp;Read here.

	
</description>
		
	</item>
		
		
	<item>
		<title>About</title>
				
		<link>https://kollektivcollective.info/About</link>

		<pubDate>Tue, 06 Jun 2023 19:41:41 +0000</pubDate>

		<dc:creator>Kollektiv Collective</dc:creator>

		<guid isPermaLink="true">https://kollektivcollective.info/About</guid>

		<description>
	

Kollektiv Collective is the joint curatorial practice of independent curators and writers Sasha Shevchenko and Pia Zeitzen. Based in London and working internationally, they have curated exhibitions and programmes since 2019, working in close dialogue with contemporary artists across media. 

Spanning exhibition-making, writing, and collaborative research, their work is rooted in decentralised structures and collective authorship. Kollektiv Collective approach curation as a fluid, process-led act that relies on site-specific methodology, grounding every project in an intersectional analysis of the historical, socio-economic, architectural, aesthetic and structural context of a given space. Their work explores the politics of space, labour and language, foregrounding multiplicity, friction and care.&#38;nbsp; 

With an emphasis on collaboration and exchange, the curators have worked with London institutions, cultural centres and festivals including the Austrian Cultural Forum, London Design Festival, Christie’s, the European Parliament Liaison Office in the UK, the Embassy of Denmark, Goldsmiths CCA and Pushkin House, and with international galleries such as Palo Gallery, New York and Galerie Gato, Lima. Their work has been featured in AnOther Magazine, Dazed, Les Nouveaux Riches, Floorr, Fetch Paper Magazine and The Observer, among others.

Words by Kollektiv have been published by Something Curated, YAC &#124; Young Artists in Conversation, Glimpse Magazine, Plinth Magazine, METAL Magazine, The Art Columnist, Curatorial Affairs and Where’s The Frame (wtf?). They have contributed essays to various artist and exhibition publications, including a forthcoming monograph on artist Marc Henry. 

Zeitzen and Shevchenko hold an MA in Contemporary Art Theory and an MFA in Curating from Goldsmiths University; a BA in Liberal Arts and Sciences; Museum Studies and Marketing from University College Maastricht, and an LLB Law from Queen Mary, University of London respectively. They were previously invited to speak at Christie’s Education and Chelsea College of the Arts as visiting lecturers. 


Zeitzen and Shevchenko have a background in the institutional and commercial sectors, having previously held positions at the Venice Biennale and Galerie Max Hetzler, and the National Portrait Gallery and Goldsmiths Centre for Contemporary Art respectively. 
Kollektiv Collective has been supported by the Austrian Federal Ministry of Housing, Arts, Culture, Media and Sport, the Finnish Institute in the UK and Ireland, Frame Finland, the Embassy of Denmark in the UK and the European Parliament.


&#60;img width="3840" height="5760" width_o="3840" height_o="5760" data-src="https://freight.cargo.site/t/original/i/a1612c4eb2db550cb4a5696d1fc91f281503d256ecbe64c890dbe0ef3c5afe61/IMG_7642.JPG" data-mid="247001907" border="0"  src="https://freight.cargo.site/w/1000/i/a1612c4eb2db550cb4a5696d1fc91f281503d256ecbe64c890dbe0ef3c5afe61/IMG_7642.JPG" /&#62;
Pia Zeitzen (left) and Sasha Shevchenko (right). Photography by Hector Delgado.
</description>
		
	</item>
		
		
	<item>
		<title>Open Call</title>
				
		<link>https://kollektivcollective.info/Open-Call</link>

		<pubDate>Thu, 21 Aug 2025 10:03:28 +0000</pubDate>

		<dc:creator>Kollektiv Collective</dc:creator>

		<guid isPermaLink="true">https://kollektivcollective.info/Open-Call</guid>

		<description>
	OPEN CALL FOR EMERGING ARTISTS


Co-organised by the European Parliament Liaison Office in the UK and the Embassy of Denmark in the UK, curated by Kollektiv Collective, this Open Call invites young artists to participate in an exhibition at Europe House’s 12 Star Gallery in London, with artworks related to the theme of cross-cultural narratives of exchange.

Application is open to art and fine art students and recent graduates, EU nationals living in the UK and UK nationals with a link to EU countries.

The wider goal of the exhibition is to focus on EU-UK youth relations, bringing attention to potential shared values, cooperation and European talents. The exhibition will explore themes of (social, physical, temporal) (dis)connection, proximity and distance.

Selected artistic works will be showcased at the 12 Star Gallery in Europe House, London (32 Smith Square, SW1P 3EU), in December 2025 – spring 2026. The exhibition is part of the Danish Presidency of the Council of the EU.

ELIGIBILITY REQUIREMENTS

- Open to UK based EU, EEA and UK nationals, currently enrolled in or recently graduated from EU or UK higher education in art and fine art.- A relation to the theme of the exhibition may be presented through artistic practice and also through personal considerations.- Open to all mediums; limitations to scope, scale and technical requirements may apply.- Both completed works and works-in-progress may be submitted.

SUBMISSION GUIDELINES

Applications presenting the artwork to be submitted in one PDF or via link, such as Google Drive, to access online and should include:- Artist Statement explaining how the artist or the artwork relates to the theme of the exhibition, 300 words max.- Brief documentation and description (medium, scale etc.) of one or more artworks submitted for consideration.- Artist Portfolio (PDF)- Biography + CV

Please email the submission to info@kollektivcollective.com with the subject line ‘Submission – Europe House 2025’.
DEADLINE TO APPLY: 20.09.2025
	Deadline: 20.09.2025
	&#60;img width="2250" height="2813" width_o="2250" height_o="2813" data-src="https://freight.cargo.site/t/original/i/8d7e2e894e913ffa38780b1a0df84a950f5e8fb68930ffd61d21fdabfbedbb42/Open-Call-Europe-House-2025_Slide-1_final.jpg" data-mid="237274679" border="0"  src="https://freight.cargo.site/w/1000/i/8d7e2e894e913ffa38780b1a0df84a950f5e8fb68930ffd61d21fdabfbedbb42/Open-Call-Europe-House-2025_Slide-1_final.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Conor Ackhurst</title>
				
		<link>https://kollektivcollective.info/Conor-Ackhurst</link>

		<pubDate>Tue, 15 Oct 2024 16:08:31 +0000</pubDate>

		<dc:creator>Kollektiv Collective</dc:creator>

		<guid isPermaLink="true">https://kollektivcollective.info/Conor-Ackhurst</guid>

		<description>
	
&#60;img width="518" height="710" width_o="518" height_o="710" data-src="https://freight.cargo.site/t/original/i/77893caef7cad8ddfe1908be36b6bbec9b52191663d88e75707c9eea85493e75/Screenshot-2024-10-16-at-15.50.12.png" data-mid="219835187" border="0"  src="https://freight.cargo.site/w/518/i/77893caef7cad8ddfe1908be36b6bbec9b52191663d88e75707c9eea85493e75/Screenshot-2024-10-16-at-15.50.12.png" /&#62;


Conor Ackhurst(b. 1995, UK)︎︎︎I knock on your skin
	Conor Ackhurst is a visual artist. He works predominantly in sculpture and installation as well as video, print and performance. Ackhurst creates installations that feature assemblages of found materials framed by structures. These structures frame spaces that are typically considered 'safe' for humans, yet they have been condensed in a way that evoke a sense of tension or danger, such as the crushed interior of a car, a passageway transformed into an impossible collision of doors, or a cave narrowed to claustrophobic proportions. This simulated world-building acts as a confrontation with potential violence, presenting it as a boundary experience.
In 2023 Ackhurst was one of the finalists for the CIRCA prize, his film screened at Piccadilly Circus, as well as on screens in Berlin and Milan. In this year he also received the Developing Your Creative Practice grant from Arts Council England. His work has been exhibited in London, UK; Berlin, Germany; Stara Zagora, Bulgaria; Milan, Italy and Puebla and Chemuyil, Mexico. In 2022 Ackhurst was awarded the OMNI Award and in 2015 he was nominated for the National Open Art, Moving Image Award. He has been invited to residencies in Bulgaria and two in Mexico.

Website
Instagram
	&#60;img width="2662" height="1446" width_o="2662" height_o="1446" data-src="https://freight.cargo.site/t/original/i/d3f40aab1de7a5786a1560f22a04a3a685e35b0f397240ef8a74b7c57f933ecf/Screenshot-2025-05-09-at-17.58.34.png" data-mid="233009551" border="0"  src="https://freight.cargo.site/w/1000/i/d3f40aab1de7a5786a1560f22a04a3a685e35b0f397240ef8a74b7c57f933ecf/Screenshot-2025-05-09-at-17.58.34.png" /&#62;Conor Ackhurst, 190e and the EMD GP40-2&#38;nbsp;(2024). Image Courtesy of the artist.&#60;img width="2188" height="1448" width_o="2188" height_o="1448" data-src="https://freight.cargo.site/t/original/i/527030532096f8c9502ecf3cd67cd8105c942488af7adeb37fc4c9481f123d7d/Screenshot-2025-05-09-at-17.59.59.png" data-mid="233009570" border="0"  src="https://freight.cargo.site/w/1000/i/527030532096f8c9502ecf3cd67cd8105c942488af7adeb37fc4c9481f123d7d/Screenshot-2025-05-09-at-17.59.59.png" /&#62;
Installation view:&#38;nbsp;Conor Ackhurst, Crumple Zone (12 November - 6 December 2024) at Soft Commodity, London. Image Courtesy of the artist. &#60;img width="2172" height="1436" width_o="2172" height_o="1436" data-src="https://freight.cargo.site/t/original/i/3033dcddc28fb64522a7bad4bdf4b585f90f3409052cedbf3a82e8af0caf818f/Screenshot-2024-10-16-at-10.58.57.png" data-mid="219825010" border="0"  src="https://freight.cargo.site/w/1000/i/3033dcddc28fb64522a7bad4bdf4b585f90f3409052cedbf3a82e8af0caf818f/Screenshot-2024-10-16-at-10.58.57.png" /&#62;Conor Ackhurst, Grounded&#38;nbsp;(2024). Image Courtesy of the artist.&#38;nbsp;Photography by Gillies Adamson Semple.&#60;img width="2474" height="1440" width_o="2474" height_o="1440" data-src="https://freight.cargo.site/t/original/i/1e9f20fa30233bb23082edbe836c74a6f214db34f9796007fa2707f40a5ecb52/Screenshot-2024-10-16-at-10.59.07.png" data-mid="219825012" border="0"  src="https://freight.cargo.site/w/1000/i/1e9f20fa30233bb23082edbe836c74a6f214db34f9796007fa2707f40a5ecb52/Screenshot-2024-10-16-at-10.59.07.png" /&#62;Installation view: Conor Ackhurst, Grounded (5 – 26 October 2024) at St. Chads Gallery, London. Image Courtesy of the artist.&#38;nbsp;Photography by Gillies Adamson Semple.&#60;img width="1398" height="786" width_o="1398" height_o="786" data-src="https://freight.cargo.site/t/original/i/deeb67ec8811bdf82966ea2d7a69aed30716c43de46d660af1bcc95c9629f8cc/Screenshot-2024-10-16-at-10.59.55.png" data-mid="219825042" border="0"  src="https://freight.cargo.site/w/1000/i/deeb67ec8811bdf82966ea2d7a69aed30716c43de46d660af1bcc95c9629f8cc/Screenshot-2024-10-16-at-10.59.55.png" /&#62;Conor Ackhurst, CIRCA prize 2023.&#38;nbsp;&#60;img width="2238" height="1436" width_o="2238" height_o="1436" data-src="https://freight.cargo.site/t/original/i/1ba1de8c943958f56ff25051b999a8a4a883942ed6c1a08a88abae520ba85f5a/Screenshot-2024-10-16-at-10.58.50.png" data-mid="219825009" border="0"  src="https://freight.cargo.site/w/1000/i/1ba1de8c943958f56ff25051b999a8a4a883942ed6c1a08a88abae520ba85f5a/Screenshot-2024-10-16-at-10.58.50.png" /&#62; Conor Ackhurst, Interrupted Sequence (2024). Image Courtesy of the artist.&#60;img width="1406" height="1330" width_o="1406" height_o="1330" data-src="https://freight.cargo.site/t/original/i/44bc85033593ed82cefd5a0e2f551a4cf53ca433aa3c8973c993bf5dbabc4d4e/d224d2_5f614c5a2ad74f4a96dc4cc6e490d8f3mv2-1.jpg" data-mid="219825001" border="0"  src="https://freight.cargo.site/w/1000/i/44bc85033593ed82cefd5a0e2f551a4cf53ca433aa3c8973c993bf5dbabc4d4e/d224d2_5f614c5a2ad74f4a96dc4cc6e490d8f3mv2-1.jpg" /&#62;Conor Ackhurst, Cutterhead #1  (2022). Image Courtesy of the artist.&#60;img width="1380" height="1234" width_o="1380" height_o="1234" data-src="https://freight.cargo.site/t/original/i/cbeec1904324a2f03580390333d2f94729d63b17fb6a3af16c0024f78a5c0793/Screenshot-2024-07-08-at-12.13.50.png" data-mid="219789690" border="0"  src="https://freight.cargo.site/w/1000/i/cbeec1904324a2f03580390333d2f94729d63b17fb6a3af16c0024f78a5c0793/Screenshot-2024-07-08-at-12.13.50.png" /&#62; Conor Ackhurst, Revolving Passage (2018). Image Courtesy of the artist.&#60;img width="916" height="1454" width_o="916" height_o="1454" data-src="https://freight.cargo.site/t/original/i/a03cc72b87519546b31f956407e93a8ef73275ff650fc7b4ec3aa07cd89633bd/Screenshot-2024-10-16-at-10.58.43.png" data-mid="219825008" border="0"  src="https://freight.cargo.site/w/916/i/a03cc72b87519546b31f956407e93a8ef73275ff650fc7b4ec3aa07cd89633bd/Screenshot-2024-10-16-at-10.58.43.png" /&#62; Conor Ackhurst, Sediment (2018). Image Courtesy of the artist.


</description>
		
	</item>
		
	</channel>
</rss>